Of Books, Leopards and Birds

The Snow Leopard is Peter Matthiessen's story of a 1973 epic trip to Nepal with field biologist George Schaller. They were going to study Himalayan blue sheep and, if possible, catch a glimpse of a snow leopard. Matthiessen was studying Zen Buddhism. Trekking across mountains in winter snows for five weeks, he also hoped to find the Lama of Shey at a Buddhist Shrine on Crystal Mountain. So it was a spiritual quest for him as well. His wife died the previous winter of cancer. He had some shit going on.

The Snow Leopard is also a book I didn't finish. I got 80 pages in, dug the hell out of it, and chased some tangential SQUIRREL! thought and haven't gotten back around to it. And yet Matthiessen is a rock for me. I've read essays, I've read about him, he and Gary Snyder are the models of the kind of writing life I aspire to live. Not that I can write like they can, but that they experience the great and full lives they write about. Matthiessen died earlier this year. If you don't know him, Men's Journal did a phenomenal story about him that is well worth your time to get a sense for one of the truly great writers of our time. More on Matthiessen and his snow leopard in a bit.

Herons are a spirit animal for me. A totem. That's about the best way I can put it. We've been over it on here a few times. Seeing a heron in flight or on the river both calms and inspires me. Seeing one while out on a run gives me instant energy. It's weird, but it's there. I have a heron tattoo on my right forearm both to acknowledge my connection to and fascination with herons, but also, selfishly, so I can look at one whenever I need to.

I was recently talking herons with a friend, who pointed me to Ted Andrews book "Animal Speak." Among other things, Andrews goes into characteristics of different birds and the people who are drawn to or connected to them. When I read what he had to say on herons, I was a bit dumbstruck.

In places, he describes my personality, my life, and how I operate, when I listen to my heart. It's pretty intense stuff to read someone closely describe you based on an animal you feel connected to. Herons are the big, integral bird for me, but this spring and summer, I noticed I was being seemingly stalked by cardinals when I would go for a run. Andrews says that cardinals pop into our lives to point us to "renewed vitality through recognizing self-importance." He goes into more, but during that time, and what I was going through, that was a pretty big message.

Over the last couple months, both at home and on runs, it's been blue jays. Yesterday there were blue jays starting in through the fu**ing front door at me, directly outside the door, and then one who swooped with me on my lunch run. It was like a Hitchcock movie. Alright Andrews, out with it:

The blue jay is a reminder to follow through on all things--to not start something and then leave it dangling.... The blue jay reflects that a time of great resourcefulness and adaptability is about to unfold, You are going to have ample opportunities to develop your abilities. The jay does not usually migrate, staying around all winter, so look for there to be ample time to develop and use your energies to access new levels.

I constantly leave loose ends dangling. I got you, blue jay. Point taken. Resourcefulness and adaptability. Today is my last day working for the Coast Guard. It's the second job I've had there, working there the last almost five years. This last job was not the writing, public affairs, communications fit for me that the previous one was. It sapped me, as has the four plus hours of daily commuting. It's time for a change. What that change is or brings, remains to be seen.

Don't start something and leave it dangling. Finish what you start. Look for my life's direction. Like a journey. Like a spiritual quest. Like finding a snow leopard. This is a good time for me to re-start, to continue, to finish, to find the snow leopard on my own. I don't mind taking Matthiessen as a guide:

Amazingly, we take for granted that instinct for survival, fear of death, must separate us from the happiness of pure and uninterpreted experience, in which body, mind, and nature are the same. And this debasement of our vision, the retreat from wonder, the backing away like lobsters from free-swimming life into safe crannies, the desperate instinct that our life passes unlived, is reflected in proliferation without joy, corrosive money rot, the gross befouling of the earth and air and water from which we came.

Bring on the books. Bring on the birds. Let's go find a snow leopard.

Of Words and Souls

I wonder if my soul has words written on it. And if it does, what words are they? As I've been walking through the worlds of Virginia Woolf and Charles Williams and Neil Gaiman, I always have a book of poetry going. Poetry where a poet, in the space of a page, can make me ponder love, life, the Cosmos, loss, sex, our place in the Universe and Nature, the color blue, mythology, history, God. Maybe in the space of three stanzas. Can do what it takes novelists 500 pages to do. Condense the soul into words, just a few, and make it speak.

Because a poem is made up of words, speech is how the soul is embodied. (Frank Bidart, from an interview at the end of "Metaphysical Dog.")

Sometimes when I read something that someone I know writes, I can hear their voice saying their words. At its best, I feel like my writing has my voice, my speech, my soul embedded in it. You want to see what my soul looks like? Can you see it in my eyes? Is my soul blue? Or could I better show it in something I've written, something that feels like everything I have to say, or have said yet. Can my soul live on a page, or on a screen, separate from me, created by itself? Or can you hear it in my voice? Tricky fu**ers, these souls. How can we get our arms around them?

Whatever it takes to get the whole soul into a poem. (Bidart, same interview)

Last evening, we were sitting on a dock on the Tred Avon River. A heron flew by overhead and landed by the shore. We have established that herons do enough for me that I have one tattooed on my arm. I've talked about herons as my spirit animal on here before. Watching a heron fly, with its legs kicked back long behind it; then watching it transition, ungracefully to land; and then to see them still, balanced, stoic in the water. I wonder if something outside of you, observed by you, can speak your soul? I wonder if my soul could be captured in that clumsy transition from air to water, when the legs come down and arrest forward momentum, both looking improbable, but working every time. My ungraceful, improbable, functional soul.

The words, like a bonfire encased
in glass, glowed on the horizon.

Can a soul be contained in words? Are words written on the soul of one who writes? If words are connected to the soul, maybe they would look like a bonfire encased in glass, glow(ing) on the horizon.

But I think Bidart's right. That's the creative struggle. To get the whole soul into the poem, the painting, the art. Maybe words, maybe art, maybe love is how the soul speaks to another or to itself.

On Air

Air is possibility. We don't even notice it until it adds voice and motion as wind. When air becomes active. When I run I can't drink in enough air, filling my lungs, clearing them, repeat. When the big shit in our lives happen, when heavy or tense or anger or sad happen, we instinctively take deep breaths, looking for air, but not naming it.

Before we got too smart, the ancient Greeks, pre-Socrates, had the Universe broken down into air, water, earth and fire. The elements. Now we've named everything so fancily, we can't even get our minds around it. But we can breathe.

I'm being bird stalked when I run these days. Mostly by male cardinals. For a couple months now, every time I run, I get swooped by one. Almost always when I've forgotten they are watching me, and a fastball of red, or maybe it's a sinker, I don't have a batter's eye anymore, swings by, standing out against green trees and air. Once one lit for a second on a fence right next to the rail trail, nodding as I went by, and I smiled at him. Birds have air figured out.

Air is part of what my heron tattoo is about. The heron inhabits both air and water. Maybe he looks at home in both, or maybe not quite in either. I wanted to make sure both elements were part of the design. Herons inhabit and invoke both.

Wind is air at its most vocal. Air that says, don't fu** with me. The big bad wolf has nothing on wind. I lie in bed and I can hear the wind talking to the trees, unsure who speaks louder in that conversation. I drive over the Bay Bridge to work and feel wind push the car, which when you're that high above the water, that slight reminder says enough. Be kind wind. Be kind.

Brenda Hillman writes the elements. She is working through books on each. Her "Pieces of Air in the Epic," moves through air. She reminds us how cut off, out of sync we are with air:

Wind will rend the suburbs
With information seeking nature

or more depressingly:

They were mostly raised
in tanklike SUVs called Caravan or   Quest; winds rarely visited them.

When we're inside, packed away in our house, or seat-belted comfortably in our cars, we forget that air can be wind. That we absolutely need it to live, to breathe, but it doesn't need us. What if we get so comfortable, so cut off, that the winds rarely visit us? That would suck. No, that would blow.

Hillman brings us back with writing. I think Air is why I run. Elemental Air, filling my lungs to bursting, on the final mile home, Jimi Hendrix's "Stone Free," in my ears, heart pounding, talking to Air. In conversation. I'm not sure who is speaking, who is listening, who is breathing.