Influence

William Carlos Williams had a thing for red wheelbarrows. He didn't use a lot of words, but flung it out there as a symbol of everything being tied together, interconnected, if you will. And whether a wheelbarrow, red or otherwise, a farmer, or a pot of flowers, things that Williams experienced is what made itself onto the page. Objects and direct experience influenced his writing. How could they not, eh?

I, too, have been under the influence. Of the stuff I run into on a walk, or a run, or subjects or thoughts that come up in conversation. Of music, sometimes new-to-me stuff like Langhorne Slim or Blind Pilot, other times stuff I am coming back to, like Bob Marley, Mingus, or Hendrix.

I've been heavily influenced by Mr. Williams' notion and example that poetry, or writing, for him focused on the local, what's right around you, rather than having to fly off across the (big) pond. I've been pulled by what has put itself in front of the camera lens, or in some cases, what has turned up as the image later.

I've been inspired by a poet named Frank O'Hara, whose book "Lunch Poems," has served as a guide, a call to action, and an inspiration, for the 30 Days Project I'm in the midst of. O'Hara's book was largely written on his daily lunch breaks as he walked around New York. And it fits well in a pocket, so it sometimes accompanies me on my lunch break and/or walk up town into St. Michaels. The other folks I'm reading, from Gary Snyder to Robert Hass, from C.D. Wright to Tony Hoagland, are all taking root in one way or another.

And I've been vibing on the local, the people around me. By two teachers, who make the time to write and play music and recently threw their new CD my way, which makes my mind cruise along with it, as well as kicks me in the arse to question how productive I am with my own free time. By an artist friend and several year source of pants-kicking, Rob Brownlee-Tomasso, who makes a commitment to spend time in his studio each night working on a new painting or series of paintings. By a cat who Mike Keene and I had a chance (loaded word) encounter with on the Appalachian Trail, who ended up moving to the Eastern Shore for a time, buying a sailboat from Mike, has fixed it up, and is neck-deep in his dream to spend time sailing it all over the place (currently cruising down the intercoastal to South Carolina, I believe). You can follow Woody's saga here (any blog called "The Peanut Butter Diet" is worth something!) And by other writers in the round, including another now Easton writer/blogger, whose frequent soulful posts and tip on Gary Snyder's book, "The Real Work," has opened up some new avenues, or country roads, or singletrack trails of thought.

This influence is a funny thing. It's what I encounter, it's what I read, it's who I run into, it's who I run with, it's what I do with my time, it's being present and mindful around our girls, to hear the endless creativity they employ not just daily, but minute to minute. It's all connected. And because we're all in different places and the culmination of own points influence and experiences, it's all unique. Uh-oh. The same, all connected, but all unique. Well, that sounds like a paradox to me...

Two Churches

The shaman looked for God in the church,
but He was not there.

The activist looked for God by meditating,
but He was not there.

The priest looked among the waves
and the mountain climber between pews,
nothing.

Blake said that 'one law for the lion and the ox
is oppression.' Blake's law looks nice on a coffee table.
It's fair game over cocktails.

God isn't invited to cocktail parties. He's not up for debate.
Not allowed to be relative or
renamed.

We'll let men name our laws, we don't lose sleep over oppression.
But don't let God be found somewhere we're not looking. We want
God on our terms.

The shaman surveys the land and searches his spirit.

The activist changes the world through good works.

The priest contemplates in prayer and
the climber summits truth.

Each knows what they need.

Once Removed

Robert T. Valliant, my grandfather, at his father's shucking and packing houses in Oxford, Md., where Bates Marina is now. Circa 1905.

My dad turned his knee around backwards. Kneecap got whacked side-on by essentially a 2" x 10" or so and spun it clear off its hinges. He was a boardsman for a Chesapeake Bay log canoe at the time, likely racing with Doug Hanks at the helm. That was the end of his log canoe sailing days.

Our family has become further removed from the water with each generation. My great grandfather, Jeremiah Valliant, was a partner in William Valliant & Brothers packing houses in Bellevue, Maryland, until a business falling out saw him open his own competing shucking and packing houses in Oxford. He had four young'ens, an even two boys (Robert and Jeremiah) and two girls (Louise and Harriet). The two boys would end up running Valliant Brothers Marina, where Bates Marina currently sits at the end of the Strand, same Oxford location as the shucking and packing houses.

Robert was my grandfather. He's the young lad pictured above. He was born in 1899 and lived to be 95. Marina owner and beyond, he was a lifelong fisherman. He kept detailed logs of every time he went out, what they caught, who he went with, what they used. He took my dad fishing, and he lived long enough to take me fishing a number of times from when I was little. I still remember turning around and seeing him peeing in an empty milk carton at the back of the boat. I never asked where the bathroom was after that.

That love of fishing, boating, and being on the water translated directly to my father. But he doesn't own a marina, he's an accountant. His education and occupation don't put him right on the water, though he'd no doubt love to spend more time there.

When I was 15, I came into a 13' Boston Whaler with a 40 horsepower Evinrude outboard motor on it. It was tied up behind our house, in shallow water or mud if the tide was out. $5 worth of gas and you had more than a day's adventure. There wasn't a creek between Oxford and Easton that we didn't explore or a beach we didn't pull up on. Maybe a couple, but not many. I wasn't that concerned with a driver's license when I turned 16, it couldn't hold a Zippo to being on the river.

I feel connected to Oxford, the Tred Avon, the Eastern Shore, the Bay. A bond in the blood and in the bones. But I am further removed. I wonder if I have it like my grandfather did. Or my father does. The water, creeks, rivers, bridges, is where I feel it inherently. But I don't do enough with it. I get it when we're on the water with the girls, or this summer on a stand-up paddleboard. And I look for more.

Unrelated Fragments

Downpours glut. Senses
and themselves. Hum
or drone to roar. Background
to forefront.

Smells

become

intense.

Coffee. Dog. Candles.
Ground. Light inside
stands out. Turns wet. Succumbs,
assimilates into noise.
Gray. Sleep.
Or more awake because

---

A camera is permission to look closer. To see through the surface. A deeper glance.

Patterns. Metaphors. Productions. On the house.
Newly framed, things

become
beyond common.

---

That there were train tracks next to Holiday Inns was a running joke. There always was. It became comforting.

Shaken awake at 2 a.m., the bed rattled out smiles.

Money Back Guarantee

One of a few photos shot for today, 10/27/09, while waiting for a writer/editor at the Chesapeake Bay Maritime Museum.

With a name like "Rollo," you likely want to be tough or have something worth saying. I don't know if Rollo May ever got his ass kicked, but he could sure get folks to pondering with the wisdom he could spit.

"Freedom is a man's capacity to take a hand in his own development. It is our capacity to mold ourselves." --Rollo May

I first came across Rollo by way of an artist friend 10-or-so years ago. He liked to quote R.M. by way of a question and proceeded to scrawl it onto an abstract painting he gave me. The quostion (quote/question) goes like this: "What if imagination and art are not frosting at all, but the fountainhead of human experience?"

That question sticks with me. It comes from May's book, "The Courage to Create," which now sits on my bookshelf with a fair amount of underlinings, dog-eared pages, and chicken-scratch in the margins.

I generally relegate my own writing to the margins of the day. I get to it before the day officially starts or at the end of it, when the kids are sleeping. The inherent problem is that there isn't always time in those margins as the page itself seeps off into the sides. The same thing can happen with running, yoga, longboarding, etc., but I have found a way to make time, push the margins, to give those activities permission to happen.

Enter the 30-day challenge. My aim is to write something worthwhile--essay, aphorism, blog post, poem, fragment, etc.--and to take at least one "cool" photograph for each of the next 30 days. Cutting myself some slack, I didn't say the writing or photos have to be good, just that the practice gets instilled and I make a commitment to myself, the time, and the attempt. The writing and the photographs don't have to relate to each other, though they might. I'll be posting photos on Facebook. And I'll see if I can't share some of the writing and/or photos here.

That's my challenge. We'll see where it leads. What challenges or gauntlets have you thrown down for yourselves?

Kinda Like Free Beer

Running is an aesthetic experience. Wait. Ascetic? Well, maybe that too sometimes, but I'm talking ripe with the sublime, not beating yourself with sticks, wearing burlap running shorts.

There are times out on a run, where my body and mind have emptied themselves of everything but the rhythm of breathing and foot strikes, and I'll come across sunlight, mist, and clear sky above, playing games with the surface of a river or pond. Or come face-to-face with a deer who's decided it's a better idea to freeze than to bolt.

Often it is a run-in with nature (or Nature), but it can happen in town or a city as well. Times when the run feels like it happened, in part, to put me in front of something or to give me the opportunity to experience something I would have completely missed if I hadn't gotten out there. What do you do with that?? Personally, I like to say, "thank you," and smile.