The P Bomb.
-
I rely on my body to be all the things that my brain cannot:
strong,
reliable,
resilient.
capable.
Able.
This year, however, my brain and body have...
Showing posts with label Ava. Show all posts
Showing posts with label Ava. Show all posts
Monday, July 18, 2016
Hair Wraps
Over the past few years, getting a hair wrap has become a big part of our Ocean City beach trip for Ava. It's a simple thing, which has become a summer tradition. She loves picking colors and showing friends her summer style.
It's funny what something as simple as a hair wrap can do to me now--it's a sort of emotional unraveling, full of reminders and continued gratitude.
Ava spent last August in Children's Hospital in Pittsburgh. It was sudden, unexpected, loop-throwing, reality-changing whirlwind--deep breaths and prayer material. Among my most vivid memories of that month, are those of Ava making sure that the doctors, nurses, technicians, etc., didn't mess up her hair wrap. There were times when she wasn't aware of much that was going on around her, but you better not mess with her hair wrap. Other than their having to cut off metal at the end of it so she could get MRIs, the hair wrap survived the hospital.
As her sister Anna and I sat along the Boardwalk while Ava beamed getting her new "do," my mind bounced back and forth from last year to now. It's been a great year--after missing the beginning of the school year in the hospital, she was named MVP of her field hockey team in the fall (she wasn't expected to be able to play most of the season), earned honor roll every semester at school and Principal's Honor Roll for half of them, and finished her lacrosse season this spring with a two-goal game.
It's also been a trying year as a parent. Ava still has occasional seizures, as well as more frequent "spells," where she shakes and has trouble focusing or being able to respond to what's going on around her. Despite tears and protests, she had to stay out of the ocean and the sun for a day during the beach trip this past week, because she couldn't shake a series of spells that recurred throughout the day. We don't have it all figured out, and have just switched her neurology care to a new hospital after being thoroughly unimpressed with her last one. It's a process and lessons in seizure management.
When you look at the pictures above, it's hard to notice a difference in the two years. You can't tell what her eyes have seen or what she's been through. And that speaks to Ava. It's her personality; she rolls with the punches and looks to what's next--facing forward, not backward. She has taught me more than I can put into words.
I've tried to learn a lot of letting go over the past year. I've seen and felt the power of prayer and community. I'm trying to learn to hand over to God those things that are beyond my control (which is pretty much everything big). I am grateful for both Ava and Anna and the people they are becoming, and the blessings they bring to my life every day (or at least most days ;).
Our attitude towards what we find in life can color everything we encounter. I like this thought that the internet gives to Albert Einstein:
There are only two ways to live your life. One is as though nothing is a miracle. The other is as though everything is a miracle.
This morning I am thankful for sunrises--new days, new weeks, months, and years, and enjoying them all. And I am thankful for hair wraps. And Ava showing off this year's colors.
Labels:
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Wednesday, October 14, 2015
In October Bloom
Tuesday morning bike to work. The trees haven't changed, but leaves are falling. The breeze ambles alongside, waking the skin on my face and forearms, shirt sleeves rolled up. It's a Phil Collins fall day, "no jacket required."
Fall is a return to school and to field hockey. I've been thinking a lot about what it means to raise girls, or kids in general, so that they grow up and become good people--caring, compassionate, connected; passionate, curious, critical thinkers. Individuals.
A friend shared this the other day, which seemed to me to put things into a solid perspective. Have them learn to care about something other than themselves, to find, for themselves, what is truly important in life.
I think about how much time kids will sit in front of a screen if you let them. That's not a statement about today's kids, we would have done the same thing, but Atari and Betamax can only hold your attention for so long. What makes me happy is how quickly they will leave screens in favor of something more fun, if they think about it, I want to make sure they think about it.
I'm a believer that kids being bored is a good thing, and that it is their job to combat their own boredom. That is where creativity comes from.
But kids model after the people around them, for better or worse, even (and especially) parents and grown ups, wrong as we frequently are. I dig that the girls see running, biking, skateboarding; I love that we play soccer, kickball, go paddleboarding, walk dogs, or that they can be surprised by dad's monkey bar skills :)
There is the active stuff. But there is also the aesthetic stuff that shapes their souls. Going to a concert to hear live music; watching a sunset from the shoreline; filling bird feeders and being able to name some of the birds that come; drinking hot tea; being able to sit still; knowing the names of flowers.
I love that they know what it is to be a part of a family and a community that knows each other, enjoys each other's company, and looks out for one another.
There are different barometers, small things, that overflow my heart. When the girls say thank you, unprovoked; when they turn cartwheels and play in the grass; when they laugh until they are out of breath; when I see them stop and notice something that someone else might walk by. Like a yellow rose in October bloom.
Labels:
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Saturday, September 19, 2015
Cruising Town and the Cosmos
Since moving to Oxford in July, the girls have newly found the bed of the pick-up truck I have had for 12 years. When the speed limit is 25 (and you have checked with local law enforcement to make sure they are permitted to travel in the back of the truck) and the sun is shining, the bed of a pick up can feel a lot like a horse-drawn carriage. Cruising to the beach at the Strand, or to the park, or for ice cream at the Scottish Highland Creamery warrants Will Smith's "Summertime" for a soundtrack.
We've taken to different means and times for cruising the town. Longboarding to and from work has put a perma-grin on my face. Thirty years ago I rode my first skateboard down these same streets as a vagrant youth, now I wave and talk to folks skating to work. The symmetry is not lost on me.
Another new habit, rekindling an old wonder, is night walks, fully staring at the star-filled sky.
Life over the past year-plus has taken some unexpected turns. New houses, new jobs, new life in so many ways, but still connected to all that has come before and all that is still to come. Ava's return home from a month in the hospital; her return to school and seeing friends and family; life getting into a familiar, but new fall rhythm. When I walk under the sky, pondering constellations and the cosmos, the vast scale of it all and wondering how all the dots connect--what, if anything, my walk to the market for lunch has to do with the broader order of the Universe--it makes my mind both spin and sit still. So I've called in the experts, picking up Carl Sagan's "Cosmos," of which Neil deGrasse Tyson has done a documentary reboot; cultivating gratitude while walking, running, skateboarding, sitting, or going to church.
It's all a cosmic puzzle I doubt I will ever be able to put together. And I'm okay with that. Here's why...
I got off work on Wednesday and went for a run. At different points along the way, I stopped and took in the sunset, both visually and breathing it in. Taking pictures to remember it. Each scene was stretches of river and horizon I have seen countless thousands of times. But not once did any of those previous times look exactly like it did that evening, on that run. Maybe that is because those exact colors, and those exact scenes had never been assembled quite like they were just then. I think that is true. But equally true is that my eyes see differently now than they ever have before.
Thursday, August 20, 2015
Community and KRS-One
Sometimes it happens that your world gets upside-downed. On Aug. 6, at about 9pm, I got a call from Anna and Ava's mom as she was riding in an ambulance. She and the girls were visiting her family in Butler, Pa. As they arrived, Ava had a seizure. She has had small seizures, or something akin to them (syncope), but this was different. She wasn't coming around. They inserted a breathing tube and were going to helicopter her to Children's Hospital in Pittsburgh. I threw clothes in a bag and started driving. That was two weeks ago tonight.
Since then Ava has seen her share of the Pediatric Intensive Care Unit, neurologists, infectious disease doctors, nurses, technicians, you name it. I didn't start writing this as a medical update, family and friends have been getting those on Facebook, but the Cliff's Notes version: Ava has Epstein-Barre Virus (EBV) encephalitis (swelling of the brain), which caused her seizure and subsequent seizures while in the hospital. It could be the effects of EBV alone, or it could be EBV on top of a chronic condition for seizures. After getting doses of Keppra and phenobarbital (anti-convulsive meds) dialed in, and allowing time for her body to deal with EBV and the brain swelling, Ava has been making solid progress and yesterday was moved to Children's Home, the rehab arm of Children's, to focus on physical therapy, occupational therapy, and rebuilding her speech and cognitive skills. It is sobering to see what a trip of the brain can cause, but incredibly encouraging to see Ava coming back into her own. It just takes time.
I am writing this morning for the things that have happened while we've been here. The things that make "community" even more of a favorite word for me than it has ever been. I made a couple phone calls and sent a few texts to family, work, close friends to let them know what happened and that I was going to Pittsburgh. The response from work, the Oxford Community Center (OCC), was go, be with Ava and my family, get her better, then worry about work. More on that in a minute.
As word of what happened started to spread, there were concerned calls, texts, e-mails, so I took to Facebook as a blanket means of keeping people updated. What I sometimes forget, and don't think I was really thinking about, is the real people behind the profile pics and status updates. And I wasn't prepared for, or expecting, the way people would respond, reach out, follow along, pray, and cheer for Ava. I have been emotionally overwhelmed and buoyed in amazing ways.
In July, the girls and I moved into a new house in my hometown of Oxford, Md. We've been busy and hadn't been able to finish moving furniture. While I've been in Pittsburgh, members of the Oxford Volunteer Fire Department helped my mom and cousin finish moving us in. Family, neighbors and the Oxford Police Department have been checking in on the house and making sure all is well.
Folks who follow along here know that in March I started work as Executive Director of OCC. I've never felt more at home, more supported, more inspired or motivated to work somewhere. It has felt like exactly where I am supposed to be, professionally and personally. Both Anna and Ava have quickly become a part of the place, and with living just down the street from OCC, they can ride their bikes there.
While I have been in Pittsburgh with Ava, OCC's Board of Trustees and volunteers have made sure I have peace of mind to be here, and to know that all is taken care of at work. This week, there are shifts of volunteers covering the public office hours. I can't even begin to express what all that means or how grateful I am.
For the previous five years, I worked in, and commuted to, Washington, D.C. I made more money, but had less of a life, and certainly not a life where work, family, and play were integrated in any real sense. During the past two weeks, I have had KRS-One's voice in my head (as one does):
It's not about a salary, it's all about reality...
For the past two weeks, my reality has been around Pittsburgh, Munhall, Children's Hospital. It's been being where I need to be, when I need to be there. It's been tears, trials, triumphs, and trying to piece a new reality together, to return to life on the Eastern Shore, knowing what we are coming out of, and being thankful for what we have.
The newest part of our community includes the amazing people at Children's Hospital. The nurses, technicians and doctors who both girls look for--who have taken to Ava, and check in on her; who call her "girlfriend," and high five her; who laugh with us and are helping bring her back around; medical professionals who treat Ava like an amazing person, not just a patient; who are working at every level to get her ready to go home.
It's funny to me, how connected the words/concepts "reality" and "community" can be. Through this whole process, I have yet to feel alone, and there are so many people to thank for that. My reality is informed by, shaped by, inspired by, the community (communities) I am a part of.
When I get home, I look forward to sitting on my front steps with a beer in the evening, laughing at the girls running around the yard. I look forward to runs and bike rides around Oxford and knowing the folks I see on the way. I look forward to getting back to work, and helping define, and inspire, what community means to others. I know what it means to me.
Wednesday, February 11, 2015
Learning Ava Lessons
I'm not sure younger daughter Ava hears the drums that other spirited kids march to. They might distract her from coloring or building Legos. As she turns 10 (Feb. 12), I'm still not sure I have her figured out. Which is one of the things I love most about her.
We do birthdays quickly, like pulling off a Band-Aid. Ava's older sister Anna turned 13 on Jan. 31. Less than two weeks later and both girls are in double digits. The winter months are ripe with the passage of time.
Ava projectile vomited for the first year of her life. Damn acid reflux. She was queen of the wardrobe change and I was pretty well shirtless during my shifts at night when she was a newborn. She would only sleep soundly on your chest and shoulder, no crib or bassinet. I watched marathon's of MTV's "Viva La Bam," "Office Space," "Swingers," "First Blood," "Road House," or anything else on late night.
Ava's sister Anna is me through and through. She thinks like I do, asks questions I asked, cops the same attitude. I understand her, maybe too well. I've never had that with Ava, which means I have to pay closer attention; try to figure her out. I'm grateful for how different that has made our relationship; for how different she and her sister can be.
A couple years ago Ava wanted to sign up for gymnastics so she could learn to do the perfect cartwheel. She did. She has a mind that is all focus when she wants it to be, something I have never had. She is dingy, air-headed, but easily makes honor roll. What she lacks in common sense, she easily makes up for with determination, action, and compassion. She is quick to know if I am feeling down and how to lift my spirits.
Ava is the self-starter that neither her sister or I am. She can move on a whim. She is not, however, a morning person, like Anna and I are. Ava's differences teach me when I listen. And I try to listen.
For years now, Ava has done something which seems rare with kids now: she entertains herself. She comes up with things to do. She will read before bed or when the mood strikes her. Dolls, Legos, bocce, hikes, almost anything is an option.
Especially in the past year, Ava and I have connected because we are different. I don't know that I would have seen that coming or that I can put it into words. There's something about Ava that maybe I realized I don't need to understand to enjoy. What can be frustration at first, can quickly turn into laughter when blue eyes meet and smiles crack.
One of my favorite Ava lessons is that there doesn't need to be any wasted moments, any lost time. I always carry a pocket notebook and pen to write with. Ava goes further. In her school backpack, she carries an extra coloring book and 96-pack of Crayola crayons. Not 16. Not 64. The Ole 96'er. She colors at home; she colors in the car; this past Saturday, she had me pack a large coloring tablet and markers when we went to watch her cousins play indoor soccer. She colored in the bleachers.
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| At home on the couch, making a book about Halloween that she would bind with a cover |
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| The Ole 96'er, because sometimes six shades of yellow aren't enough. |
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| You can only watch so much soccer in a morning. |
I frequently carry a backpack or messenger bag with me. Notebooks and books or graphic novels, Ava's coloring book and travel markers. Be prepared. Don't miss out. I'm learning my Ava lessons.
Happy 10th birthday to the one who shows me the world differently and reminds me to pay attention.
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Tuesday, December 16, 2014
Mix Tape
The thing about a mix tape is that it was generally made with you in mind. Unless you had a playa on your hands, mix tapes were made by one person for one other. The songs selected were intended for, or evocative of, or telling a story of some sort for one person, or maybe a small group. It was a personal form of communication made using constructs of popular culture. Either that or it was an attempt to get laid.
I'm a big fan of the Marvel movies. It would be an understatement to say I was stoked by their recent Phase 3 movie slate announcement. I haven't read any of the "Guardians of the Galaxy," comics or graphic novels, though I have been meaning to, but had heard solid reviews of the movie, so took a chance and snarfed it up. Younger daughter Ava and I have watched it twice, the second time so her older sister could watch it as well.
The mix tape looms large. The soundtrack for Guardians, which I have downloaded and listened to a number of times, is a mix tape made for our hero Peter Quill (played by Chris Pratt) by his mother in the 1980s. "Awesome Mix Vol. 1," was her collecting her favorite songs to share with her son. In addition to being completely iconic, badass 1970s and 80s songs, they are woven perfectly into the movie.
"Come and Get Your Love" by Redbone, anyone? Ava has been singing that song all morning and now counts it as one of her three favorite songs.
When I run with tunes these days, I work out a playlist and then hit shuffle, to let the Universe throw me a sort of running mix tape based on songs I'm vibing on. The Guardians soundtrack is currently tumbling with Digable Planets, Beck and D'Angelo, among others.
But the mix tape philosophy got me thinking about other art forms, books and movies that I dig. A mix tape is not a novel. It is most likely not about plot. It's about every song, every section, chapter, part, being something onto itself, and also not allowing any filler, any lulls. "Pulp Fiction," "True Romance," and "Snatch" are films that feel episodic, where there is scene after scene of simply and utterly cool. Bands like De La Soul, A Tribe Called Quest and The Beastie Boys put out albums that felt like mix tapes.
There is a level of care and attention given to a mix tape that only certain authors can come close to replicating for a whole book, or work of any sort. I got the mix tape high the first time I read William Blake's "Marriage of Heaven and Hell." I'm cruising through some deep and heady stuff, one "song" ends and here come the "Proverbs of Hell (plucking a few favorites at random):"
The road of excess leads to the palace of wisdom.
A fool sees not the same tree that a wise man sees.
He whose face gives no light, shall never become a star.
Eternity is in love with the productions of time.
The hours of folly are measur'd by the clock; but of wisdom, no clock can measure.
The most sublime act is to set another before you.
And Blake just mows you down with rapid fire, fortune cookie bullets. Poets, essayists and short story writers are more likely to conjure mix tape magic it seems, with their ability to work the pause, the silence between the songs; and their prerogative to change direction, change tone, pace without notice--heavy metal to bluegrass to reggae to jazz. One of the literary lions who clearly understood mix tapes was Jorge Luis Borges. You can see it in "Labyrinths," or "Dreamtigers," or almost anything he put out into the world. Maybe for Borges, a mix tape was a labyrinth:
Time is the substance I am made of. Time is a river which sweeps me along, but I am the river; it is a tiger which destroys me, but I am the tiger; it is a fire which consumes me, but I am the fire.
Then I reflect that all things happen, happen to one, precisely now. Century follows century, and things happen only in the present. There are countless men in the air, on land and at sea, and all that really happens happens to me.
Before unearthing this letter, I had questioned myself about the ways in which a book can be infinite. I could think of nothing other than a cyclic volume, a circular one. A book whose last pages was identical with the first, a book which had the possibility of continuing indefinitely.
Maybe that is another aspect of the mix tape--it is almost cyclic or circular; it doesn't matter where you hit play, you are pulled in, wrapped up; you can start and stop at any point or just let it ride.
If that's the case, Borges definitely got it. You can see him taking copies of a new book to his close friends, his lady friends, his peeps. Or maybe he'd be kicked back in a chair, next to a cat, waiting for folks to come to him. I mean, he's Borges. Maybe he would just send a text that said: "New mix tape: Come and Get Your Love. Borges, out."
Friday, October 10, 2014
Saturn and other Digable Planets
Sometimes reality is what you thought it was when you were a kid. Your perception then was maybe sharper than it is as you get older, as we learn to filter how we see things through books, through science, through "facts."
As a kid, who doesn't draw the planet Saturn as a circle with a ring disappearing behind it? But that's just a kid drawing, that can't be reality, right? Fast forward to about 15 years ago. We had a group of writers on a writers' retreat weekend at an Audubon sanctuary. An astronomer among us set her telescope up under the night sky and dialed it in on Saturn for all of us to check out. The telescope wasn't quite as powerful as the photo from the one above; it looked even more like what you draw as a kid. I remember looking through the lens and thinking, "Holy shit! It really does look like that!"
Nine-year-old daughter Ava has been drawing like crazy of late. I bought her artist pads of blank paper, colored pencils, crayons. She checks out books on how to draw from her school library and sets to work. She isn't finished until she has between 10 and 20 pictures drawn and colored, and then she makes a cover, and staple binds them all together into a book. Her most recent is titled, "Ava's Drawings of Halloween Costumes." It is on my coffee table.
She has also been requesting Digable Planets whenever she gets into the car. She wants to hear "Cool Like Dat" and "Nickel Bags (of Funk)." Funny aside, I was playing that same album in the car when her older sister Anna was two years old. Ava wasn't born yet. Nickel Bags was playing as we got out of the car in a parking lot in Ocean City. Two-year-old Anna got out, singing/saying, "Nic-kel bag, Nic-kel bag," like she heard in the song. Ava likes that story, which is why she digs the song. It's catchy.
I catch something new every time I listen to the Planets.
Refuting time and space in rhymes.
What would you do, if time belonged to you?
A heavy thought is,
that it DOES.
Now hip somebody else.
When you are a kid, time is more relative than it is when you grow up. Anna and Ava would both say "yesterday," and mean anything from yesterday to last year when they were younger. It all streams together. And then we start looking at watches, and we have schedules to keep, and our sense of time becomes regimented, predictable. But like drawing Saturn, what if how we think about time when we are young is a better representation than how our clocks and watches tell us to think about it now?
When I want to know about the shape and size and mystery of the Universe, I sometimes turn to Tracy Smith.
After dark, stars glisten like ice, and the distance they span
Hides something elemental. Not God, exactly. More like
Some thin-hipped glittering Bowie-being--a Starman
Or cosmic ace hovering, swaying, aching to make us see.
And what would we do, you and I, if we could know for sure
That someone was there squinting through the dust,
Saying nothing is lost, that everything lives on waiting only
To be wanted back badly enough? Would you go then,
Even for a few nights, into that other life where you
And that first she loved, blind to the future once, and happy?
Blind to the future once, and happy. Maybe it goes back to floating under the stars. Refuting time and space the way we did when we were kids. After all, (in the span of time) "we're just babies, man."
Sunday, May 4, 2014
Cheshire Cat Moons and Something
Ava and I are lying on the trampoline, watching the clouds run fast by an early daylight moon.
"Look Dad, it's a Cheshire Cat moon!" That's what we call the crescent moons that look like the Cheshire Cat's smile floating in the sky.
Ava is convinced that the moon is moving toward the clouds. People thought for centuries that the sun revolved around the earth, so who am I to tell her she is wrong? We look closer and I show her the clouds moving. And fast.
"What did you say about air, Dad? That it grows up to become wind?"
"You mean what did I write? I wrote that wind is air that has learned to speak. But how did you know that?"
"Grammy told me at the bus stop. Wind is air that learned to speak, that's right."
Her nine-year-old mind contains the wind and the sky and the moon.
Twenty-five or so years ago, someone changed the word "stuff" for me forever. What are you thinking about? "Oh, stuff." And later, stuff was explained in a handwritten and doodled letter in the mail. And that word has made me smile ever since.
My mind has been on the changing nature of words, language, how different words can mean different things to people. Like stuff. Like geraniums, which for us mean my grandmother Shoey, who spent as much time as she could in her gardens and greenhouse in Towson, and then Easton. Who planted geraniums. So we hear "geranium" and Shoey is there.
"Something" is a word with that kind of loadedness. "Remind me to tell you something later." "What are you thinking about?" "Something." "He/She's really something." "I've got something on my mind."
Blue is loaded. Tattoos are loaded. Cutting the grass is loaded. Running, cutting the grass, and the shower are the three places I do my most creative thinking.
Loaded words. A personal lexicon or vocabulary. Words imbued with personal meaning. That would really be something.
Monday, August 26, 2013
And time and memory dance
I hope Einstein is right. And Billy Pilgrim. And Frederick Buechner. Right with regards to time, that it's relative and panoramic and bendable.
Billy Pilgrim (as recorded by Kurt Vonnegut in "Slaughterhouse-Five") clues us in on the Tralfamadorian view of time, where they "can look at all the different moments just the way we can look at a stretch of the Rocky Mountains, for instance... It is just an illusion we have here on Earth that one moment follows another one, like beads on a string, and that once a moment is gone it is gone forever."
Children have a more useful concept of time. Our girls have said "Yesterday" or "last year" to describe the same memory at different times when they were younger. Buechner nails it by explaining, "It is by its content rather than its duration that a child knows time, by its quality rather than its quantity."
This might hold still for adults: I have memories from when I was three years old--my parents bailing out a sailboat they had after a storm, or the inside of my nursery school classroom--that are more vivid and clear than things that happened last week. Our memory alters time.
Memory is more than a looking back to a time that is no longer; it is a looking out into another kind of time altogether where everything that ever was continues not just to be, but to grow and change with the life that is in it still. - Buechner, "The Sacred Journey"
Neither time, nor our memories are fixed. It's more like they're dancing. Yesterday, our eight-year-old daughter Ava and I set out on our bikes to a cemetery a couple miles up the road, where I recently learned my great grandparents were buried. All the Valliant relatives I've known were buried in the Oxford Cemetery. This great grandfather, Jeremiah, died in 1919, decades before my dad was born.
Ava and I had to explore the cemetery to find the grave, an ancestral scavenger hunt in play. We both lit up when we found it, not far from where we parked our bikes, though we'd walked the long way round and come back to it.
"It was cool to meet my great great grandfather today," Ava told me later in the evening.
"Meet." I didn't correct her. It was the perfect word. Time and death are grown-up ideas, not useful or relevant to an eight year old.
Sunday, September 16, 2012
The World at Seven
"What does he mean?" is the sound, the voice, the question of a seven-year-old trying to figure out the world. In this case, it is our seven-year-old asking her older sister what a character in a show was saying.
She is coming further into the agreement that is language. She seeks out words she knows, written on buildings or advertisements at Nationals Park, and speaks them quietly out loud.
Watching a Nationals game, she recites the numbers of players as they come up, "Drew Storen is 22, Kurt Suzueski (her pronunciation) is 24, Adam LaRoche is 25, Jesus Flores is 26, Jordan Zimmermann is 27, Jayson Werth is 28."
I'm floored by it, so I'll quiz her while we are watching.
"Who is 55?" She doesn't recognize call up Eury Perez, pinch-running for Michael Morse. We walk about September call-ups and she likes pitcher Zach Duke's name.
On a Sunday morning, she comes downstairs with her blanket wrapped around her like a cape. When you're seven, they are the same, blankets and capes.
Every day is a lineless sheet of paper in the morning, which is filled with doodles, wisdom, numbers, poetry and memories by bedtime.
Labels:
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Sunday, February 12, 2012
Along comes Ava
Anna wasn't three for two weeks when we had to call my sister to come spend the night with her. We had to take Robin to the hospital because Ava decided there was too much to do in the world to stay in mom's belly. Plus she probably wanted to meet her buddy Claire who was born two days before.
That's how little sisters roll. They make your parents drop you off in the middle of the night and when they come back everything has changed. I know. I've got a little sister.
So Anna and I have the bond of being the older sibling. And truth be told, she carries probably more of my quirks and idiosyncrasies than her sister does. But Ava and I have a bond that goes easily as deep. Not to compare her to Zuckerman's famous pig, but she is radiant.
When two parents "get together" and have a child two times and two girls come into the world, you might be tempted to think they'd be a lot alike. Nope. They are two completely separate individuals when it comes to personality. And that's the cool part.
Ava and Anna play different sports, they are different students in school, they are pulled to different toys, they bust different jokes, they notice different things. One of my favorite parts about dadhood is watching the two girls grow into two different people.
Which isn't to say they aren't similar, connected in pretty big ways. But each one holds my heart for their own reasons, in their own fashion.
On Feb. 12, 2005, Ava joined the Valliant family. Today she turns seven. That's seven years of piggy-backs down the stairs; seven years of sparkling blue eyes; seven years of bubble-blowing; seven years of Ava.
Thursday, January 27, 2011
At Chick Fil-A
We've got Chick Fil-A all to ourselves, Anna and Ava barefoot in the play place, Latin jazz strumming over the speakers and the girls are choreographing their dance moves in step, one then the other copies.
I just got off the phone with my dad, called to wish him a happy birthday, which is today, and we talk about the Ravens, because it's fresh and that's what we do.
A steady rain outside, with a hint of ice or snow to come. It's nasty, but the coffee is solid and I'm kicked back with Terrance Hayes's Lighthead, but mostly watching the girls.
Thinking about birthdays and fathers and kids--Anna's birthday is Monday and Ava's is less than two weeks away.
Generations of consciousness and smiles. The creativity the girls are turning loose in the play place matches the flamenco finger picking of the guitar.
Ava comes out and asks to sit on my lap to finish her yogurt. Anna walks out reciting, "six salamanders, eight chocolate chip cookies, 11 trees..."
I think about the girls and my dad and being a dad and my heart knows, in this moment, I could not love any more than I do.
Labels:
Anna,
Ava,
Chick Fil-A,
dad,
dadhood,
Latin jazz,
play place,
Terrance Hayes
Sunday, April 18, 2010
Shared Spring

A found robin egg. A leaf plucked from a branch they couldn't reach last year. A proud smile riding a bike on two wheels.
Avid explorers of the mundane, the mud--the incredible when examined through the lens of eight and five. Every day discovers a new skill and invents a new game.
Top of the lung screaming and laughing, running full-tilt in the breeze, bare feet on spring grass, newly cut. The girls orbit around us in impromptu firefly shapes, lighting parts of the yard as they go by.
These are things that bind our childhoods, mine and the girls'. A spring day in Oxford for me was in a marsh, building trails and forts til sundown. Or a bike ride to Doc's Quick Shop or Bringmans or the park. Skipping pieces of oyster shells on the Tred Avon.
It's funny being now the one who cuts the grass and warns for cars, while still remembering clearly my own Huffy, Big Wheel, tree climbing rumpus days.
Raising kids where I grew up, I think about them smelling the same smells, shaded by the same trees, ankle deep in the same water, but all different for how they see it and all new now, because it is.
The girls run over yelling a name I've only had for a few years, hands cupped around a cracked blue robin's egg and I cut the mower off to listen to their story and what it is and what they'll do with it and I know, in that moment, why I am alive.
Labels:
Anna,
Ava,
childhood,
cut grass,
robin eggs,
skipping shells,
spring
Monday, January 18, 2010
Improvise

You know what's a funny word? ...'Bush,'
says our four-year-old who's been up since before 5 am.
It was supposed to be a morning for the body,
of endorphins, out the door at 5:40 for a run.
Instead, it's been a morning of the mind, as I'm carried
with Komunyakaa through his coming of age
and hear the restless city speak through Paz.
It's been a morning of the heart
as Ava grows tired again, and says so,
and falls asleep against me, hugging her baby
and blanket, the only sound in the room,
her quiet breathing
filling my soul.
Labels:
Ava,
dadhood,
improvization,
Octavio Paz,
Yusef Komunyakaa
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