Tuning Up

Think of this as one of those tune up runs, when you haven't been running. Thoughts unspoken, unwritten, seem to pile up, turn in on themselves, get cramped up. Thoughts need to stretch out on a page, screen, become words, and let new ones step up.

"Things fall apart; the centre cannot hold...," I have had those lines from Yeats in my head. He goes on:

The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.

Surely some revelation is at hand;
Surely the Second Coming is at hand.

But revelations aren't so easy to come by. At our best we don't know what we're doing; at our worst we do it madly anyway. How many of us are lucky enough to find and recognize those things, people, that we can hold on to; centres that hold?

The writer who has been most on my mind of late is C.D. Wright. She is on the short list of my favorite writers, but in a span that lost Lemmy of Motorhead fame, David Bowie, Alan Rickman and Grizzly Adams, Wright's death is relegated to New Yorker postscripts and Arkansas retrospectives. Her words are back roads rural, gritty and high-minded, deep and soaring, sexual and erotic, fragmented and confusing. She is one of the writers who taught me that you can put words and thoughts together that you didn't think made sense together, in the gumbo of language and life, and they can touch someone deeply. Her words:

My first words--I've been told--were obscene. My highchair was handed-down and painted over white. I remember the hard heels of my white shoes chipping at the paint of the rung... Throughout my childhood I was knife-sharp and aquatic in sunlight. I read.

I didn't read. That came much later for me. But I play back childhood memories frequently, collaging them with new experiences into this morphing, changing, yet constant self.

Whew, glad to get that shit out. If I don't run or write, it's easy to go bat-shit crazy in the between time. And I've been wrestling with some guilt over how to carve out my creative time. Reading and writing time has shifted, for now, to learning lines and trying to get my head around a character. 2016 brings with it my first shot at being on stage, as Dr. Corey Phillips in The Tred Avon Players' production of "House on the Cliff."

Words are easier for me to write than to speak. It is not easy or natural, but I am glad to stretch myself in new and different ways. Yoga for the soul. I like the notion that William Esper evolved from Sandy Meisner, "Acting is doing things truthfully under imaginary circumstances." And talking about creating a character as, "where an actor alters his or her native behavior so as to become unrecognizable from his or her normal persona, yet still be one hundred percent truthful," Getting into my head in order to get out of it. Or something like that.

Today has been a quiet gift. No alarms set. Coffee. Shoveling walks and clearing bird feeders. On the year's first snow day, Cedar Waxwings found the pyracantha bush out my window. The other yard and feeder birds today have been cardinals, robins, various sparrows (with fox sparrows, who I have come to dig seeing over the past week), red-winged blackbirds, brown-headed cowbirds, juncos, chickadees, mourning doves, and blue jays.

I've hardly spoken an actual word, though they've danced in my head, and come through my fingers.

Thinking of Shakespeare's thoughts of the world as a stage, one we perform on daily, ourselves as the role we want others to know us as. But I've spent more time with Camus than Shakespeare, so we'll close with Albert and not Bill:

...if the actor gave his performance without knowing that he was in a play, then his tears would be real tears and his life a real life. And whenever I think of this pain and joy that rise up in me, I am carried away by the knowledge that the game I am playing is the most serious and exciting there is.

Okay, well, not that serious ;)

Running alone through the dark and back yard happy hours

A packed house is when I feel the most alone. Bar scene, packed house, music blaring, I am pretty well alone. Background noise to the forefront, sound becomes gray, I float on the outside of conversations. I've always felt the outsider.

But that goes back further than bars and crowds. Never fully identifying. Never knowing exactly where I fit in. I remember, high school era, four of us cruising in a car one night and our friend sitting in the back seat next to me looked around the car and said, "Check it out man, we've got a rasta, a skinhead, a longhair, and a... a... a Mike!" And at the time feeling like, well, shit, how come I'm not anything? And then realizing that that may have been the greatest compliment I have ever received. At a time when we were labeling, no label fit.

Among soccer players, I became a skateboarder; among skateboarders, I became a writer; among writers, I became a runner; but was all those things. The thing about it, is all those things, shifts, evolution, I don't know what to call it, happened without thought. It felt more like peeling off some other superfluous part of me to get to what was inside. And when I didn't think about it, it felt good.

But thinking. And man, I am guilty of chronic over-thinking. When I would sit and think about it, the end result was... alone. And Camus is right, if you make too much of defining happiness, you likely won't be happy; if you make the search for the meaning of life everything, chances are you aren't living.

So what does that mean for the outsider, the over-thinker, the stuck in my head? It means happy hour. It means go for a run. It means paddleboarding, skateboarding. It means find your niche, maybe.

Funny things can happen with time. And this came up in conversation recently, where at one point, feeling always a little outside, a bit different, standing within but not a part of the group, sucked, at some point it became the only perspective I wanted. It became what I dug most, that it wasn't any one group. It was maybe a group of one.

And even more odd, when that made sense, comfort in difference, you start to know yourself, and show yourself a bit more, you start running into other folks more and more like you. I think about our group of running friends. On a morning when we would run, I would start out from my house, running through the still dark. Over the next few miles, other folks are doing the same, running alone through the dark. And then we would each come into a familiar glow, the streetlight of the corner where we always met. And there would be four or five of us, together, running through the dark, smiles, conversations, questions, stories, sweat, soles hitting pavement.

And I got thinking about that more clearly the other night, at a back yard happy hour, celebrating/seeing off friends who are moving out of town. And I talked to the elementary art teacher about skateboarding, about Cormac McCarthy's "Blood Meridian," and talking to the brewmaster about Liverpool, and talking to the physician's assistant about malt liquor and Camelbacks, and watching the photographer shotgun a craft beer, and watching all of our kids attempting to pole vault across the yard with bamboo poles, or playing soccer, or climbing on the swingset.

And I looked at the assembled group, the folks and families around me, and thought/felt, yep. That's it. I am not a crowded bar, I am a back yard happy hour.

And this may have nothing or everything to do with all this, but I read it this morning and it is stuck in my head. So now you can have it...

We live by tunneling for we are people buried alive. To me, the tunnels you make will seem strangely aimless, uprooted orchids. But the fragrance is undying. - Anne Carson, "Plainwater."

If I had listened to Hegel

If I had listened to Hegel, life might be different. I don't know where we'd be living or if I would have found a job teaching philosophy. But If I'd listened to Hegel, I'd know the answers.

I met Hegel for the first time in Dr. Bob Anderson's logic class at Washington College. I asked Dr. Anderson if he bought into how the logic we were learning related to real-life. He was an Obi-wan Kenobi kind of figure, who always had me listening for more than was going on in class. He said he personally subscribed to Hegelian logic. That was before I Googled. Off to the library.

Modern philosophy class with Dr. Anderson danced closer to Hegel, by way of Descartes, Locke, Hume and Kant. Philosophy had its hooks in my spirit long before Washington College, but Anderson and company, ancient philosophy, Thomas Kuhn, Nietzsche, Buddhism, I was happily soaking in the existential hot tub--reading Kierkegaard, Camus and Dostoevsky over the summer for no reason.

As I worked on my English degree, dialed in on William Blake, Wordsworth and British Romanticism, Hegel hung in the background, an influence. His dialectic logic surfaced everywhere. I was skimming the surface, but didn't have a chance to dive deep. Hegel's tome "Phenomenology of Spirit," stared me down.

I am motivated by challenges. Bigger challenge, more motivation. Hegel's Phenomenology has been pegged both as one of the crowning achievements of modern philosophy and one of the ten most difficult books of all time. Game on, Hegel. Let's dance.

Dr. Anderson and I talked graduate schools for philosophy. This would be where I would dance or wrestle with Hegel, the lion at the gate of the contemporary deep thinkers who followed him. The ring, or dance floor (sorry, can't pick which metaphor I prefer), was Duquesne University.

And then it wasn't. The siren-call of a real job and income drowned out Hegel. His finger-on-my-chest, German breath in my grill challenge became a whisper. It was almost like a kid outgrowing Santa Claus, pushing the pursuit of the philosophy career out for something more practical. But I know better.

I've always heard Hegel, before I knew who he was. I've always been my fullest self when I'm absorbed in study and activity, whether philosophy or literature, or running. And I know that Hegel gets closer to reality and being than Wall Street and big business can even sniff.

Funny thing is, I can apply Hegel's dialectic (thesis, then its antithesis or opposite, combining in a synthesis of both) to any part of my own life and it works. Take my slothful, hazy unstudying years at N.C. State. They led to my running and lifting weights, in shape years of serious study at Washington College while working, which led to the jobs and writing that followed.

I can still hear Hegel. His Phenomenology sits in a box of books in our garage. Yesterday (Aug. 27) was Hegel's birthday, which got me thinking about him again. Our cage match or dance is still coming. Sure, if I'd listened to Hegel, my life might be different now. But truth is, I've never stopped listening.