Moving On Up, or Over

For those of you kind enough to check in here and read from time to time, I have moved my writing and blogging over to michaelvalliant.com. I am not taking The 4-1-Run down, and have loved having you all here. I've reached a point where I am trying to consolidate my writing, do more of it, and make it easier for people to find. There's already a few posts over at the new site, "A Thinking Man's Guide to Oxford," a travel, living simply, living outside piece; "Growing Up Goonies," looking at the difference in unstructured time for kids in the 1970s and 1980s versus now; and "The Head, the Hand, and the Heart," about our thoughts, our actions, and love coming together to make a life like fine art. With much more to come.

I hope you'll be kind enough to check out the new site and keep reading.

Uncovering the Path

I pack a small backpack: water, fruit and nut trail mix, binoculars, a birding book, a notebook and pen, rain coat, pocket knife, a slim book--maybe John Muir, or Wordsworth, or Thomas Merton, or Gary Snyder's "Turtle Island."

I think about the movie "Empire Strikes Back," where Luke Skywalker looks into the cave that is his test and asks, "What's in there?" And Yoda's response, "Only what you take with you." Be light and free. Be open. I start up the mountain with Muir in my head:

Climb the mountains and get their good tidings. Nature's peace will flow into you as sunshine flows into trees. The winds will blow their own freshness into you, and the storms their energy, while cares will drop away from you like the leaves of Autumn. - John Muir

Hold on, who said that, Muir or Yoda? Maybe Muir is the Yoda of the mountains.

For 20 years or more, I have used, lived, and contemplated the metaphor of life, and the life of the spirit/soul, being a journey up the mountain. I think that too many of us--speaking for myself--wear a path back and forth or around the base of the mountain and think (or tell ourselves) we are making progress upwards; that we are getting somewhere.

And that's where Yoda comes in, we find only what we take with us. And what we take with us are our habits, our worries, our fears, our doubt, and in some cases our stuff--our material things. And those things either weigh us down so heavily that we can't climb, or we have to wrestle with them before we get anywhere.

This past Sunday, at church our pastor put Henri Nouwen's "The Spiritual Life," in my hands, a tome of eight of his books brought into one. We were talking favorite spiritual writers while on a mulching expedition during the week and he couldn't recall Nouwen's name as we threw around Merton, Bonhoeffer, and Buechner.

"This is for you," he said, with his best Yoda smile. What he had first mentioned about Nouwen was that he walked away from prestigious academic positions to focus on helping men and women with intellectual disabilities. I've been spending my morning coffee with Nouwen this week. Books and writers have a tendency to find me at the right time.

This may not be the most indicative picture of Nouwen, but come on, he's on a skateboard :)

Nouwen talks about how our time and schedules are filled, how we are always busy, because being busy is a status symbol--look at how busy and productive I am--nd yet our spirit is unfulfilled because we are not filling our lives or schedules with the right things.

Only having the girls half the time, I spend a lot of time alone. That can be both good and bad for an overthinker. The only times I can really turn my brain off, or allow my thoughts to slough off are when I am running or in prayer/meditation, which can be sitting with coffee, watching the sunrise or sunset, staring at the stars, but it has to be intentional time.

For all my alone time over the past couple years, when I looked closely, I found myself circling the bottom of the mountain; pacing back and forth in a rut of my own footprints. My habits, my lack of clarity, my inertia, nothing was helping me push up. And yet, climbing the spiritual mountain, carpe'ing the diem, asking the big questions and looking for answers, and being on the move rather than one place--these are all things that make me, me.

My time alone somehow wasn't solitude, or at least not enough of it.

Once the solitude of time and space have become a solitude of the heart, we will never have to leave that solitude. We will be able to live the spiritual life in any place and at any time. Thus the discipline of solitude enables us to live active lives in the world, while remaining always in the presence of the living God. - Henri Nouwen

There are times when it feels like you've just unloaded rocks out of your pockets or backpack and feel lighter and ready to climb.

I have much more to say about the mountain--maps, compasses, the virtue of discerning your true path vs. switching paths at every pass, the people you meet along the way, whose paths overlap with yours and who you walk with for a time--but let's call this part one. Beginning again. Or uncovering a path I had let get overgrown.

As I swill some water, smile at the sunrise, and keep on up the mountain, I look into Wordsworth's lines that are among the favorite I have ever read:

...And I have felt
A presence that disturbs me with the joy
Of elevated thoughts; a sense sublime
Of something far more deeply interfused,
Whose dwelling is the light of the setting suns,
And the round ocean, and the living air,
And the blue sky, and in the mind of man,
A motion and a spirit, that impels
All thinking things, all objects of thought,
And rolls through all things. I heretofore am I still
A lover of the meadows and the woods,
And mountains, and of all that we behold
From this green earth; of all the mighty world
Of eye and ear, both what they half-create,
And what perceive; well pleased to recognize
In nature and in the language of the sense,
The anchor of my purest thoughts, the muse,
The guide, the guardian of my heart, and soul
Of all my mortal being.
- William Wordsworth, from Lines Written a Few Miles Above Tintern Abbey

Gifts and Gratitude

Every day is a gift. Even the gray ones. And there are things I notice on gray days that take a back seat when the sun and blue skies take center stage. Like the color green (not pictured). On a drizzly morning run earlier this week, the green taking over the trees, how lush the grass was, it all jumped out. And when I got to a favorite turnaround spot, with no sunrise to steal the show, it was driftwood and the stones on the beach that grabbed my attention.

Every day is a gift. Even the gray ones. This past Sunday, it was rainy and cold and the girls had a field hockey tournament at Washington College. A skills clinic in the morning, and games all afternoon. It would have been easy to bail on the day, given the weather, but none of the girls on the team really did. Last year at the same tournament, Ava and I passed the field hockey ball back and forth on a nearby field in between Anna's games. Ava was too young to play; Anna's team went 0-4. This year, both girls played, each of their teams went 2-2, and the girls played great. It's the kind of day I never want to take for granted.

Every day is a gift. We aren't guaranteed any given number of them. I have always loved and believed the quote that each day is a gift from God, and that what we do with them is our gift back to Him.

Let's play with the word "gift" for a minute. Gifts take many forms. There are the sublime and profound gifts like sunshine (anytime now), like family, like time spent doing something we love, or being with people we love. There are the gifts we have--whether you are an artist, an accountant, a gardener or landscaper, a boat builder, a lawyer, a doctor, a writer. Our individual gifts are part of what make us who we are, and part of how we give back to the bigger picture. Part of what we do with our lives, whether as a job, a hobby, a passion.

There are material gifts, those things that we are given for birthday, holidays, or just because. They are the least important kind of gifts, but sometimes they can show us love, thoughtfulness, remind us of things, hold memories. And sometimes they can inspire our other gifts. I was going through a box of books a couple weeks ago and found the journal pictured above. When I was an English major at Washington College, my sister took a trip to Italy. She shared her travel itinerary with us and asked if I wanted anything from across the pond. She was going to Florence. I was studying Dante. I casually said, "Hey, Dante was from Florence, just pick me up something from there." What she brought back was that journal, I think from a street vendor. Not particularly valuable, there are a bunch like it. But it caused a funny thing to happen.

I was going to school full time and working, cooking at a restaurant full time. The only writing I was doing was after work, writing papers for classes. I wasn't writing anything for myself, just to write. But I always claimed to want to write. I started carrying that journal and writing in it. After college, I still carried it and still wrote in it, as we started a writers' group. When I flip through it now, there are memories and artifacts tucked in the pages--writing, both my own and from other writer friends, a letter back from Tom Robbins--an aesthetic museum or time machine. That journal was, and is, a gift that inspired me to try to do something with my own gifts, humble as they may be. It changed a direction in my life.

So this morning, on yet another gray May day, I am sipping coffee and thankful for gifts, in all their forms.

If the only prayer you said in your whole life was "thank you," that would suffice. - Meister Eckhart

Life is a Song; Turn it up, man!

Life is a song the Universe is constantly playing. The notes, the structure, the chords, can be heard and felt whenever we listen. Our lives, when they are in sync, contribute a part to the larger Song. A part that no one else's life can. The Song was going on before we arrived and will continue after we are gone, but what we contribute is our part.

We didn't write the Song/the Universe. Let's give God/Creator (or you can insert your answer here) credit as the composer. That being the case, if we just bust out a drum solo with our lives, that doesn't contribute to the greater Song, we can feel out of tune. Isolated. But I think most of us have been lucky enough, even if for a little while, to feel what it feels like when we are a part of the larger Song.

I have no idea what the Song is, where it's going, what it sounds like ultimately. I get snippets when I sit still at the sunrise. When I run. When I read or write or pray or meditate. When I love. I get snippets when I stand in the snow and rain on a lacrosse sideline, drenched and cold, and see my daughters make an incredible defensive play and lead a fast break, or score a goal. I hear the Song having coffee rocking in a blue-hued swing, watching blackbirds, grackles, rabbits and squirrels unfold their morning.

Our lives are a continuous song. We don't change what we've played, what is behind us, but we can be conscious of what we are playing now. Jim Harrison has been speaking (singing?) to me of late:

The song stays.
No new one carries us, bears
us so high, more swiftly.
And it has no place,
it changes as we change

Our song, our past, is a part of us, it is what gets the song/our lives to where we are. And there are times when it feels familiar, like it's our jam maybe, we can headbang, waltz, slow dance, kitchen dance, what have you, and we feel comfortable in knowing the tune. And there are times, speaking for myself, where the tune seems new, novel, unknown. I don't know where it's going. And that can be thrilling, exhilarating and downright terrifying at some points.

But maybe it's like Zeppelin always said, "the song remains the same." It keeps playing. And we can hear it and join in. Trust the song, trust the Universe, trust the Composer.

River at spring crest,
sky clear blue,
forest at June greenness,
delight of eye in brain fully flowering,
delight of air and light and breath.

What do you do with all that? When we can feel it; when we can hear it; we know we can be a part of it, with our lives?

"Hey man, is that Freedom Rock?"

"Yeah, man!"

"Well turn it up, man!"

I want to do what he/she does

I want to do what he does. Or she does. We start that from an early age. Firefighter. Baseball player. Skateboarder. Sometimes those models stick with us and we stay after them. Sometimes they change. Sometimes the reality sets in: I just don't have the sideburns or hair to be Eddie Murray.

As I got older, who those folks were shifted a bit. I remember reading Carl Sandburg when I was 15 and thinking, I want to be able to make someone feel/think like he just made me feel. That would be cool. In my 20s and beyond, that became Rilke, Tom Robbins, Gary Snyder. Jim Harrison.

The stillness of this earth
which we pass through
with the precise speed of our own dreams.

Harrison died this past week. He was 78. He died at his desk, writing. From the way he lived his life, it sounds like a blessing that it wasn't drawn out, to quote those who knew him, "he wasn't cut out for assisted living."

Strictly speaking, the writer's life is not for me. I have no interest spending my days behind a keyboard, indoors, deep in abstract thought or trying to inhabit the minds of characters that live in my head. No thank you. I would rather be outside, living life, and trying to communicate that in some way. And that is part of what Jim Harrison represents for me: living an interesting life.

He spent his life doing things he loved, outside. He did things that you read out, dream about, in some cases forget about. He lived a rich life. With his dogs:

Barring love I'll take my life in large doses alone--rivers, forests, fish, grouse, mountains. Dogs.

Harrison, Gary Snyder, Peter Matthiessen, Edward Abbey. Those guys are the last men standing when I look for my tribe of guys who did, or are doing, what I want to do.

Life and language. I can't get enough of either, though there are plenty of times when language fails, or I don't want it. Harrison got that too:

My heart must be open to the cosmos with no language unless we invent it moment by moment in order to breathe.

Being open to the Universe as a source for language. And as a guide for life. I have been digging the remembrances of Harrison the man, and Harrison the writer. Obviously those two aspects are one and the same. He was a part of his Michigan landscape, the region. He knew it, lived it, and could write about it like no one else. I have the Eastern Shore in my bones that way, I sometimes feel.

I like when you can use the term "rugged individualism," and not have it be hyperbole or false praise. Harrison is the poster child. And that's part of how he inspires me. He doesn't make me want to go to Michigan and do what he did. He makes me want to get out and find, strike up, live my own life. To get outside. To chase dreams.

My advice is, do not try to inhabit another's soul. You have your own.

Hosanna

I've been searching for a writer to remind me why I love to read, why I love to write. Sometimes I go through a dry spell; a longing where I pick up 10 different books and put each down. Books and words are right when they are right. Mood, time of year, what my soul is seeking.

Hosanna. Yesterday was Palm Sunday. Hosanna is a word that takes me back to St. James church services, "Hosanna in the highest, blessed is he who comes in the name of the Lord." Just before communion.

It's a word I've always dug. Just the sound of it, to say, to hear. Hosanna.

March 18 was Franz Wright's birthday. He died last May of lung cancer at age 62. It's not a name most people will know, despite winning a Pulitzer Prize. Poets don't get to be on Oprah or make the best seller list.

Wright is one of those writers, who lights up my soul, points it in different directions.  Yesterday I picked his "Walking to Martha's Vineyard," up off the bookshelf. He is a writer who has been to, lived in, the depths, the mud, the suck, and found religious transcendence; used his struggles to fuel him:

This sky like an infinite tenderness, I have caught
    glimpses of that, often, so often, and never yet have
    I described it, I can't, somehow I never will.

Hosanna. Palm Sunday. The crowd is going crazy. Rock star Jesus is coming in to town and Hosanna is the word they are using to sing his praises, thinking he is going to overthrow Rome. But they got it wrong. That's not what He was up to. Yesterday's sermon in church touched on the crowd, waving their palms, waiting and pleading for the wrong thing.

Back to Wright, last night, on the couch:

Rilke in one of his letters said that Christ
is a pointing,
a finger pointing
at something and we are like dogs
who keep barking and lunging
at the hand

Spring is rebirth. Renewal. It's a return. Saturday was a return, on a cold, rainy afternoon, to Tuckahoe State Park, and a 10-mile trail run loop that we've done countless times over the years, but I'm not sure when I'd run the full loop last.

I went out there to put a hurting on myself, to make good on a promise to log some trail miles and find something in me that I haven't found another way to access. And there were times on the trail, particularly the parts I hadn't seen in some time, that I found myself smiling, laughing, for having returned. I found some part of myself that maybe I keep out there as a reminder.

Hosanna. I was playing with the word like a puzzle, like a challenge. I was repeating it in my head, the sounds, the word, the language. But mulling the meaning. A friend pointed out that "Hosanna" is frequently translated as, "Lord, help us."

And then I saw someone talk about how the word has changed over time: "It used to be what you would say when you fell off the diving board. But it came to be what you would say when you see the lifeguard coming to save you... the word moved from plea to praise; from cry to confidence."

During the course of a run, during the course of years, during the course of a day, perspectives, words, meanings can change. When I am active, exploring, paying attention, I can have something to do with that. The weekend was/is a journey of meals, runs, worship, dog walking, reading, reflecting. It takes getting my feet wet, metaphorically and literally, to get on that path.

As I came down to the creek in the middle of Saturday's run, a Great Blue Heron flew horizontal to and parallel with the creek. One of my favorite things to experience while running.

Wright, in his searching, in his writing, in my reading...

Still sleeping bees in the grove's heart
(my heart's) till the sun
its "wake now"
kiss, the million
friendly gold huddlings
and burrowings of them hearing the shining
wind
I hear, my only
cure for the loneliness I go through:

more.

I believe one day the distance between myself and God will
              disappear.

Hosanna.

Tuning Up

Think of this as one of those tune up runs, when you haven't been running. Thoughts unspoken, unwritten, seem to pile up, turn in on themselves, get cramped up. Thoughts need to stretch out on a page, screen, become words, and let new ones step up.

"Things fall apart; the centre cannot hold...," I have had those lines from Yeats in my head. He goes on:

The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.

Surely some revelation is at hand;
Surely the Second Coming is at hand.

But revelations aren't so easy to come by. At our best we don't know what we're doing; at our worst we do it madly anyway. How many of us are lucky enough to find and recognize those things, people, that we can hold on to; centres that hold?

The writer who has been most on my mind of late is C.D. Wright. She is on the short list of my favorite writers, but in a span that lost Lemmy of Motorhead fame, David Bowie, Alan Rickman and Grizzly Adams, Wright's death is relegated to New Yorker postscripts and Arkansas retrospectives. Her words are back roads rural, gritty and high-minded, deep and soaring, sexual and erotic, fragmented and confusing. She is one of the writers who taught me that you can put words and thoughts together that you didn't think made sense together, in the gumbo of language and life, and they can touch someone deeply. Her words:

My first words--I've been told--were obscene. My highchair was handed-down and painted over white. I remember the hard heels of my white shoes chipping at the paint of the rung... Throughout my childhood I was knife-sharp and aquatic in sunlight. I read.

I didn't read. That came much later for me. But I play back childhood memories frequently, collaging them with new experiences into this morphing, changing, yet constant self.

Whew, glad to get that shit out. If I don't run or write, it's easy to go bat-shit crazy in the between time. And I've been wrestling with some guilt over how to carve out my creative time. Reading and writing time has shifted, for now, to learning lines and trying to get my head around a character. 2016 brings with it my first shot at being on stage, as Dr. Corey Phillips in The Tred Avon Players' production of "House on the Cliff."

Words are easier for me to write than to speak. It is not easy or natural, but I am glad to stretch myself in new and different ways. Yoga for the soul. I like the notion that William Esper evolved from Sandy Meisner, "Acting is doing things truthfully under imaginary circumstances." And talking about creating a character as, "where an actor alters his or her native behavior so as to become unrecognizable from his or her normal persona, yet still be one hundred percent truthful," Getting into my head in order to get out of it. Or something like that.

Today has been a quiet gift. No alarms set. Coffee. Shoveling walks and clearing bird feeders. On the year's first snow day, Cedar Waxwings found the pyracantha bush out my window. The other yard and feeder birds today have been cardinals, robins, various sparrows (with fox sparrows, who I have come to dig seeing over the past week), red-winged blackbirds, brown-headed cowbirds, juncos, chickadees, mourning doves, and blue jays.

I've hardly spoken an actual word, though they've danced in my head, and come through my fingers.

Thinking of Shakespeare's thoughts of the world as a stage, one we perform on daily, ourselves as the role we want others to know us as. But I've spent more time with Camus than Shakespeare, so we'll close with Albert and not Bill:

...if the actor gave his performance without knowing that he was in a play, then his tears would be real tears and his life a real life. And whenever I think of this pain and joy that rise up in me, I am carried away by the knowledge that the game I am playing is the most serious and exciting there is.

Okay, well, not that serious ;)

Embracing 2015

When sitting quietly outside is a prayer I didn't realize I was praying. I took the photo above about almost exactly a year ago. On a feeling, I had come down to Oxford, rode my bike and walked around town on a cold day, feeling like a tourist in the town I grew up in. I was between jobs, separated, at peace, happy, hopeful. If you want the exact experience, you can reminisce here.

I was poised, ready, open, for something, but didn't know what. I fu**ing hate cliches, but in my mind this weekend, thinking about all this, "what a difference a year makes," is the phrase that kept dancing through my head.

Saturday morning, I went for a run around Oxford, covering much of the same ground I did on my bike-walk combo a year ago (it's a small town, there aren't that many places to go :) A bit later, I rode my bike back to the same stretch on the Strand to read, watch the water, and reflect. I stopped by work on my way home to help set up for a memorial service. I had quick greetings with four or five people by name in a town I again call home, the town where I also work.

2015 has been a year of living. Really living, in a way I lost touch with. It's been a year of re-connecting to a place and to a community. It's been a year of finding a job that resonates with my soul. It's been a year where a health scare for my 10-year-old daughter affirmed what is important in life. It's been a year of knowing, experiencing love in ways I didn't know existed. It's been a year of not only looking at life and the world more deeply, but of living it that way.

2015 is no Pollyanna year. Life hurts, knocks me down, asks more questions than it could possibly answer. I seem to know less as a parent each year (just ask the 13 year old). There are plenty of times I have no clue if I've gotten something right. But it's not for lack of living, or lack of trying, or lack of learning. It's been a year of feeling like I am where I am supposed to be. And paying attention.

Last year, I was making the move from residing to living. To embracing. That has happened. For this year's annual check-in, I want to throw out some words from Mary Oliver, a writer who seems to surface at interesting, if unexpected times:

When it's over, I want to say: all my life
I was a bride married to amazement.
I was the bridegroom, taking the world into my arms.

When it's over, I don't want to wonder
if I have made of my life something particular, and real.
I don't want to find myself sighing and frightened,
or full or argument.

I don't want to end up simply having visited this world.

Amen.

Sunrise Theater

The sun hasn't made the horizon yet. Fog crawls along the ground, afraid of heights this morning. Geese call each other, or the sun, their conversation is unclear to me.

I got restless with the warmth and quiet inside on the couch this morning. As much as I dig the lights on the Christmas tree, and the sound of the ice skaters on the dining room table snow village pond, I needed to be outside. I pulled on boots, threw on a jacket, grabbed coffee, binoculars, Mary Oliver, and a notebook.

There is nothing out of the ordinary about it all. The fog is a novelty. The Mallards are drawn north, swimming in a manner of mass exodus. It's not a morning for revelation, except that this is every morning. It's routine Eastern Shore.

God is not in the details, God is the details. And maybe that's the revelation, if there is one. Each blade of grass; every feather on every duck and goose; every color on the pink-orange spectrum; the stillness of the water on the cove--it's all so much more than I can possibly take in. And yet, it's all here, every morning. Waiting for me, or anyone else, to notice. Or not. Maybe sunrise theater likes an audience. But it performs, regardless.

And with that, I put the cap on the pen and returned my notebook to the backpack. It was a good lesson or thought for the day. I picked up my coffee and watched as the sun rose above the trees. And then this happened...

Looking at the screen on my phone, trying to get a good sunrise picture, diagonal beams shot in both directions off the sun and were immediately mirrored off the cove. I literally laughed. It was like a conversation, a shared joke or laugh with Creation, "Oh, you think that's the message for this morning? You think you've got things figured out? Take a look at this. You're welcome. Now rethink things."

Finding Purple

Colors change me. Mentally, emotionally, maybe spiritually. Especially blues, purples, greens, but really any color found and experienced fully. It's hard to explain, but it's unmistakable when felt.

After running the Seaside 10-Miler in Ocean City, Halloween Saturday morning turned into walking trails, dunes, and beach on Assateague. I had Alice Walker's words in my head seeing flashes of purple like soul breadcrumbs:

I think it pisses God off if you walk by the color purple in a field somewhere and don't notice it.

It was everywhere, scattered like puzzle pieces, wanting to form one larger purple spectrum, like there was some larger purple shell that had been shattered and wanted to be put back together again.

So I gathered a few, to have some puzzle pieces to remember, study, ponder. And I left some for the next folks who come along to find.

What I kept (and keep) thinking about is the purple that connects them all, not the separate shells. And that got me mulling Oscar Wilde:

Mere color, unspoiled by meaning, and unallied with definite form, can speak to the soul in a thousand different ways.

When I first read that thought from Wilde, my mind went to the sky or the sea, where there are expanses and variations of unspoiled color, without form. All-encompassing. But the shells were carrying it also--through broken, partial forms, it was something about the color itself, what connected them.

I'm going to make a little leap here, if you'll permit me. Let's secretly replace color with Love (capital L Love), and swap out the shells for people. There are times when maybe we all feel like we have some part of that purple within us. Whether for kids, parents, partners, pets, I hope there are moments when everyone has felt something like that. Our own part of the purple.

But what about the larger purple that runs through everyone. If we all have that purple within us, and from time to time, we recognize that purple, that love, the commonality, in someone else. Or in everyone else.

There are times when I have felt that purple in a gathered group, that I can't explain any other way. When Bobby Banks sang a hymn at my great uncle's funeral, I swear I felt connected to everyone else there around me. It was a profound, sublime, visceral experience. When I crossed the finish line of the JFK 50-Miler after 11-plus hours of forward motion, I was so overwhelmed and felt so humbly and greatly connected to everyone around me. And it can come in silly, unexpected ways, seeing a video of people doing something for others, an unexpected act of kindness; a glimmer in someone's eyes; a smile about to become a laugh.

I can't explain it, but it was there. I think in the best and deepest moments I've contemplated life, religion, the Universe, sometimes, when I'm lucky, a feeling that goes further than where my thoughts can reach is there. Transcendent and underlying.

I won't swear to it, but that connecting thread, that piece that ties us altogether, it's not impossible that it's Love. Or purple :)

Writing Oxford: Life in a Small Town

A pilot becomes a painter, documenting a half century of a small town and becomes a part of the story he is telling--community exhibits, his paintings hanging on residents' walls, the side of the market bearing a mural of his work.

A real estate agent, who sails, carves decoys and models, and writes books and poetry about his hometown, starts a tradition of decorating docks along the creek with Christmas trees, that are still lit every December. An award bearing his name is given out each year to the people who are doing the most to honor the town's past and move it forward.

A World War II photographer turns his lens to the small community he calls home and helps pen the definitive history book of the town's first three centuries. And along the way, he helps save the old school building, turning it into a community center.

Howard Lapp, Doug Hanks Jr., and Norman Harrington. Just three examples, but ones that float to the front of my mind, about how individuals can and do make a difference in Oxford, Md., and how Oxford's collective history is told through the stories of its people.

This is obviously the case with any small town or community, but Oxford is the one that I know and whose names and people I know and have seen in action. The chapters of the town's history are people and a person has the chance to be an integral part of the story.

I think I have felt that more in Oxford than anywhere else, which is maybe what keeps me close, or brings me back. Oxford's is a story that is unfolding, and anyone could play a big part in what that story is or what it becomes.

In 1704, Oxford was one of Maryland's most important cities. By 1800, it was desolate. In 1900, the town had ten general stores, five seafood packing houses, two restaurants, two physicians, two blacksmiths, two hotels, a flour mill, shipbuilder, cooper, dentist, brick manufacturer, undertaker, druggist, barber, shoemaker, sailmaker, newspaper, bank, and four churches (citing "From Pot Pie to Hell and Damnation: An Illustrated Gazetteer of Talbot County").

I'm not saying Oxford could return as a hub of commerce, nor that that would be a good thing. In my lifetime it's been a town known for boat yards, restaurants, brick sidewalks, boats, and water. A number of the people who live here found it by sailing and decided to call it home. That's pretty damn cool.

I don't claim any special knowledge or insight into Oxford's future. No predictions or prophesies here. What I like is seeing how people, individuals, have made a difference; have shaped the town and helped create what it has been and what it is. And knowing that for wherever the town goes, those people are here now, living and/or working and helping it get there. People whose vision, whose efforts, whose eccentricities, whose time, whose senses of humor, all make a difference and make up the town.

Observations After Storms and Fire

After the storm, a watercolor washed sky. The colors were created by the storm, they didn't exist beforehand. Back out on the deck, listening to Big Bill Broonzy, a Great Blue Heron flies overhead. Clouds have stretched out lazy. Three deer are fanned across the yard.

Broonzy is singing stories. The sun stalls from dropping with the moon overhead, both wanting to hear about Joe Turner. The setting sun, the overhead moon, Broonzy, and me; we each have a part in this jam session, even if mine is just to be here to document it in some way.

I don't think anyone misses being 13. I watch a daughter trying to figure out whether to stand out or blend in. At that age, no one wants to call attention to themselves. You work hard to have friends while earning widespread anonymity.

That's the age I found skateboarding and punk music. The individualism each espoused hammered a hardcore riff in my soul. Listening to lyrics, imbibing street art, and learning to navigate a streetscape and teach a growing body and 10x30 board on wheels to ollie, railslide, powerslide, gave me something else to focus on.

For all the attitude problems that came during that period, skateboarding and what it meant helped steer me to the person I am still becoming. I have found that anytime I let myself blend in, fall in step, life intervenes, kicks my a** a bit, knocks me down, and says, "nope, that's not you." This past year has proven that all the more.

Gary Snyder is a writer I would dig meeting. He is a poet of rocks, of birds, of myths, of people, of the Earth. He includes and integrates everything into his writing. He also gets the real and symbolic cycle of death and rebirth:

"Lodgepole Pine: the wonderful reproductive power of this species on areas over which its stand has been killed by fire is dependent upon the ability of the closed cones to endure a fire which kills the tree without injuring its seed. After fire, the cones open and shed their seeds on the bared ground and a new growth springs up."

Fire. And after fire, growth. I can find that cycle over and over again looking back at my life. For me, rebirth and growth has often come through running. I find something of myself and the world on the road and trails and I'll have opportunity on both training for the Patapsco Valley 50K in October.

Storms, standing out, individualism, fire, growth, growing up. I'm not sure I ever come up with answers so much as observations. Being a father brings all kinds of stop-me-in-my-tracks observations. Especially cool are the times when I look around and notice a daughter in her element, taking everything in, completely comfortable in her own skin. And I realize that's how they all add up, the storms, the fire cycles, rebirth, trying to figure it all out, being a father--it's those moments when we're learning who we are, and we have those moments of "yep, something like this."

Carryovers: Ten Things from 2014 to Build on for 2015

Yeah, I know, this list is sssooooo 2014. But it's a top 10 list, a retrospective, so that's cool, right? What I'm thinking about here are the things I enjoyed the most in 2014, and how they can help look forward to 2015. It's not definitive, but it's fun to remember sometimes. So in no particular order:

1. Music - When I look at the music I listened to in 2014, I am looking at what is different than other years. An artist that came onto the radar screen, or back on, who wasn't there as much in years past. There are two that standout: D'Angelo and Stevie Wonder. This has been a year where I have been in the habit of putting music on and just leaving it on, bollocks to the TV. D'Angelo's "Voodoo" and newly released "Black Messiah," I can just put on and let roll. And Stevie. Well shit. I don't even know where to begin. "Songs in the Key of Life" is like an emotional autobiography that can just float me around the house. And "The Definitive Collection" is a greatest hits where you know every song, you can nod your head doing dishes at the kitchen sink, or slow it down and just, well, wonder. I know, sorry :)

2. Bocce - I think I have been threatening to play bocce on a regular basis since I worked at the Chesapeake Bay Maritime Museum and we were kicking around the idea of playing at lunch. Moving to a new house at the end of the summer, one with an expansive outdoors, pushed the envelope, and younger daughter Ava has picked up on it. We prefer bocce through the woods. Other friends have picked it up as well, and it is a great way to walk around outside, catch up, drink beer, and just imbibe life while pretending to work on your eye-hand coordination.

3. Stand-Up Paddleboarding - I had been digging the occasional SUP adventure in previous years. And older daughter Anna has keyed in on the same thing. 2014 was the year I pulled the trigger and bought a used board and paddle from a friend who is a front of the pack SUP'er always upgrading. Paddleboarding, as much as, or maybe more than other things this past year has created a number of adventures, both with the girls, who have both picked it up, or with friends--from a 9-mile Father's Day paddle, to around the cove shenanigans, to epic and windy Deepwater Point and Trippe Creek throwdowns. I hope to make 2015 even more a year of the SUP.

4. Reading/books - In terms of number of books read, 2014 was a non-starter. But it was big for reading, especially in terms of re-reading. I've talked about Robert Hass on here, ad infinitum, but even reading a book like "Sun Under Wood," for the umpteenth time, I am struck by how books change with your life experience. Until you have gone through something, you don't get what the writer is really saying. In 2014, I discovered Kenneth Rexroth, who is huge for me. I also made it a point to cross a book off my to-read list that I have wanted to read for years, in Cormac McCarthy's "Blood Meridian." I would like to hope that 2015 is the year I will finally cross "Ulysses" off that list, but right now I am caught up in non-fiction and in Borges.

5. Tribe/Carpe Diem/Stupidity/Adventures - In life, you have your family and you have your tribe. Sometimes those two overlap. Your tribe are those folks that get you, who are like you in some ways, who resonate. I've said it before, but I am fortunate to have a tribe who will read Blood Meridian, drink beer together, and sign on and show up for endurance adventures in stupidity. I have maintained that one of the reasons I want to keep in decent shape is because I don't want to miss out on any adventure that sounds fun. I love that I have fallen in with a bunch of 40-somethings, or soon to be 40-somethings, who refuse to grow up; who are moved to move, to get outside; and who want to carpe every single diem.

6. Trust the Universe and Louis Goldstein - I have definitely had some fog or haze over my eyes at various points in 2014. I've lost my way, been manic, and tried to claw my way back to where I thought I was supposed to go. I think it took me until the fall to step back and trust the Universe a bit more. But this isn't a passive trust I am talking about. When I graduated from Washington College, the longtime Maryland Comptroller Louis Goldstein was one of the speakers. His words of wisdom to the graduates was his mantra, his guiding philosophy in life: "If it's to be, it's up to me." I think that is an equal part in trusting the Universe. Trust, yes, don't feel like you need every answer or a road map ahead of time, but if you want something, and you want to make something happen, then it is up to you. If you are more religious, it's the same thing as saying "God helps those who help themselves." Trust the Universe, And get off your ass.

7. (Cold) Beverages - 2014 has definitely been the year of Dale's Pale Ale for me. I've enjoyed it before, but it became a staple like bread, eggs, bacon. My refrigerator is rarely without some waiting to be imbibed. 2014 was also the year of Irish Whiskey, whether Jameson's or Bushmills. And that has been a taste I didn't know I had acquired, generally preferring bourbon for my sipping.

8. Graphic Novels - This has been the year that pictures and art commingled themselves again with the words I am always searching and searching for. From Matt Fraction and Ed Brubaker with Iron Fist, Hawkeye, or Captain America, or Neil Gaiman with The Sandman, or Frank Miller and Brian Michael Bendis with Daredevil, storytelling for me regained some of its vital visual nature, which informs how I think about writing and telling stories. Even Ava and Anna have taken to graphic novels, Ava more so.

9. Outings/Adventures - I have always been one for outings. If the girls and I are sitting around bored, and the weather is decent, we have always had the mindset to jump in the truck and go explore. That became even more important in 2014. The girls are interacting with the world differently month by month; the language they use to understand things; their quirky senses of humor; their curiosity; their experiences, both shared and unique. I hope our outings and adventures continue to be a big part of how they engage the world.

10. Slowing down - I've been a runner on and off since I was 15. Since 2005, I've been running marathons, trail races, ultra marathons, what have you. A funny thing happened this year. I started hiking, whether in group adventures like our Mason Dixon expeditions, or hiking in the Virginia mountains, or making time to wander the maritime museum where I used to work, or a couple recent strolls around Oxford. Not being in a hurry. Allowing the sites to sink in. Sharing stories, imbibing the history behind buildings, rocks, parks, benches, an unmapped stop in a tavern. There is something to catching your breath, only to have it taken away by something you didn't expect and wouldn't have caught if you were in too big of a hurry.

That's my top ten list from 2014, ten things that helped define some of the good parts of the year. And ten things I hope to build on as we begin 2015.

2014: From Residing to Embracing

I take stock on a reading rock, in the town where I grew up. It's a rock bulkheaded riverbank, looking onto a glassy December river. It's too cold to have to worry about snakes.

I came down to Oxford to take a particular photograph, which I have. Now I am in the gravy. Sitting along a river I have swum across on a bet; looking at a dock we jumped and swam off of as kids.

I am 42. At this time last year I was married and working as a government contracted technical writer in Washington, D.C. This year I am separated and between jobs. And I am happier than I have been in a long time. There are reasons for that, one of which is knowing myself and learning my heart. Another is returning to activities that make me feel alive. Last year I was sleepwalking through life; this year, I am awake.

Today I am a tourist in the town my father's family has lived for centuries. A backpack with books, a notebook, ski cap, snacks and water; taking pictures of things that catch my eye; walking streets and sidewalks and sitting cold to scrawl a note or contemplate a color. No two people would describe "brackish" in the same way.

This has been a difficult year in places. In March, I went on Zoloft to help me through the worst of it. I was worried it would change me, sap my creativity, hollow me out. It didn't. But I stopped taking it in October when I found myself too numb to life around me; not feeling enough. I don't regret either decision.

I have connected with new people and reconnected with others. Adversity can lead you to a clearer understanding of friendship, of family, and of who those folks are. I am finding, I think, that my way forward in life has rarely ever been a straight line; maybe a series of cutbacks and switchbacks and circling spirals, ultimately leading up the mountain.

I have too many blessings to count. Health, my own and my family's, and two honor roll student athlete daughters to whom I want to give the best life possible.

Tourist. Maybe that's my problem. I have been a tourist in my own life. I have not recognized enough the things, people, places that I love and committed to them. But that's changing.

Work. Passion. Love. Family. Art. Self reliance. Home. Pablo Neruda's epic autobiographical book/poem, written over the course of 20 years, is called "Residence on Earth." There is something to that notion: residing, inhabiting. But it sounds too passive. For me, I need the idea of engaging with others, activity. Maybe beyond engaging, it's actually embracing. Yeah, I think that's it.

Last year I was residing. This year I have started living. Now it is time to embrace.

(Not) Only the Lonely

I ran probably 10 of the 13.1 miles of the Chester River Challenge with a girl I'd never met and will likely never see again. About three miles into the race, a group of us settled into a comfortable pace and pushed along as a pack. Running face first into a 30-40 mph headwind on the second half of the course, this girl in blue and I pushed ahead of the pack.

I've run with a number of folks, but I don't think any of them have had the same foot strike pace that I do. Blue girl did. You only heard one set of feet pounding pavement. We didn't talk much. But at one point, we turned out of the wind down a stretch of hilly, country road, were off mostly on our own, and the thought of running that road, in that weather, as a training run was in my mind, since the rest of my body hurt.

"Sometimes this whole running thing is a bleak, solitary pursuit," I said.

"Yeah, it is," she laughed.

But for those miles, for the couple shared comments, for those common footfalls it wasn't.

Human loneliness seem to be the basic condition for two of my life loves: running and writing. Both have solitude as a building block. Both require you to turn inside, to see what is there and to do something with it. And maybe in the end, both are an answer to this condition of loneliness.

The medium of poetry isn't language, really: it's human loneliness, a loneliness that poets, having received it themselves from earlier poets, transfer to their readers. Like bees in a honeycomb, writers and readers experience isolation and solitude communally and collaboratively. - Dan Chiasson, The New Yorker, reviewing Olena Kalytiak Davis's new book.

Maybe writing, especially writing as personal as poetry, is the writer saying, "Hey, this fu**ing sucks. Anyone else?" And the act of writing, the reaching out, if we stumble across some universal feeling or nerve, or at least one other nerve in one other person, the loneliness might abate.

Music can probably be included as a means of combating the lonely. I am not a musician, but I hear it in Delta blues. And I hear it in Sturgill Simpson. Simpson seems to be connecting with a number of folks, Rolling Stone Magazine called his "Metamodern Sounds in Country Music" one of the 50 best albums in 2014.

I dig the way Rolling Stone blurbs it along with some Simpson lyrics:

"Marijuana, LSD, psilocybin, DMT, they all changed the way I see / But love's the only thing that ever saved my life," sings Simpson. The Kentucky-born singer-songwriter's breakthrough album features plenty more folk wisdom, delivered in a singular barrel-aged baritone.

Since a friend shoved me in Simpson's direction, I have been listening a lot, and he seems to fit any mood, from cleaning the house, to happy hour, to morning coffee, or sipping whiskey under the stars.

Running, writing, and music all seem to be born out of an elemental loneliness. They all feel like ways for the runner, writer, musician to bridge a perceived gap, to connect with something, or someone else. And, lucky us, the act of doing, or reading, or listening, can sometimes let us know that someone else out there gets it. Gets us.

Dwelling

I am surrounded by pieces of, artifacts from my life. A discarded cleat from Edna Lockwood, a log-built bugeye given to me by the Boat Shop of the museum where I worked; a clothbound tome, "English Romantic Poetry and Prose," a textbook from Washington College where I first encountered Blake and Wordsworth; a coffee table book of the centennial retrospective of the White Mountain Guide; my grandfather's shaving mirror, wooden box and arms with candle holders on top; a book "From Pot Pie to Hell and Damnation," that took myself and a graphic designer a couple years to put in order and the author a lifetime to research and compile.

I am surrounded by books and magazines both read and unread. It's enough to keep my head swimming for a lifetime to come.

But instead, this week I've been trying again to clear my head rather than fill it. I am getting back into the practice of sitting meditation; making time everyday to sit in silence, to focus on my breath, to let my thoughts go and just be present; to clear my mind so I can fill it anew; clear my mind so that I can listen to new possibilities, new directions.

During the past week I've gone back to roots. Trick or treating with the girls and friends. Running a half-marathon in 30 to 40 mph winds faster than I thought I was in shape for. Tending to sick children while I was also sick. Finding some balance. Voting in an election. Searching for orange and red fall leaves with older daughter Anna on our drive to school. Driving my 12-year-old truck on back country roads.

Sometimes these moments are peaceful, sometimes they are poignant. It has been a year of things lost and trying to find meaning and of trying to find me. If you go with the Buddhist outlook then that search is a lost cause since there is no individual self anyway ;)

Miles Davis plays. John Lee Hooker. Van Morrison. Their music is expansive. Soaring. Heart breaking. Alive. Searching.

On the album "Astral Weeks," Van Morrison sings like a meditation teacher:

You breathe in, you breathe out,
You breathe in, you breathe out,
You breathe in, you breathe out,

Thanks for the reminder. I try to stay with that. But when he sings:

You never ever wonder why

We part ways. It's in my nature to wonder why.

I love the word "dwell," in both its meanings of living or inhabiting, and also to think or hang inside a thought. Martin Heidegger, in his essay, "Building Dwelling Thinking" spells out that dwelling is fundamental to being human, dwelling in the sense of being at peace, being preserved from harm, safeguarded.

To dwell.

Smartwool socks and holy-kneed jeans stretched and crossed on the coffee table. The taste of Jameson's lingering on my tongue. Beard slowly returning to form. Contemplating Peter Matthiessen's journey in "The Snow Leopard" and his ability to recall or recount or describe scenery and people. Black pen scrawling in a Moleskine notebook, can't recall how many of these, of various sizes, I have filled. Looking up, taking reading glasses off. Breathing in, Breathing out. Wondering why.

To dwell.

The Real Work: Gary Snyder and Inheriting Experience

Hank Aaron broke Babe Ruth's all-time home run record on my birthday. April 8, 1974. I was two years old, possibly smashing cake all over my face. That is one of those singular moments in sports that will be remembered forever by all who were alive and following baseball, or American sports at all. Culturally memorable.

Go back about 20 years before that, to April 8, 1956. Much less culturally relevant to most, and with no fanfare, Beat Generation pioneer, future Pulitzer Prize-winning poet Gary Snyder began a book that would take him 40 years to finish. The book is only 152 pages long. It's not like he was going "War and Peace" on us. But that's how long it took "Mountains and Rivers Without End," as the back cover describes it, "an epic (poem) of geology, prehistory, and mythology."

Snyder is a big deal to me. So much so that the idea for my next tattoo, a sleeve on my left arm, began with the cover art for his book "Turtle Island." He is a game changer, both as a writer, for what he has written, but also as a human, for how he has lived his life. Let's see if I can explain.

If you live a life interesting enough that Jack Kerouac bases one of the characters in his novel "Dharma Bums" after you, chances are you're living a pretty fu**ing cool life. Snyder is one of those writers that has not lived his life behind a desk dreaming things up. He has experienced life. He has lived it. And that's what he writes from: experience, of the world, of the soul, of the planet, of the cosmos, of the human condition.

You can get at what I mean just by looking at a list of the jobs Snyder has held: logger, fire lookout on Desolation Peak, steam freighter crew, translator, carpenter, poet. He has degrees in literature and anthropology and has studied linguistics and Asian languages. When he wanted to dig into Zen Buddhism, he moved to Japan and spent 12 years in intense study. His experience is not limited to books, nor does it shun them. He wrote the first poems that he would published while working as a trail crew laborer for the U.S. Park Service. He was also studying classical Chinese at the time. Of course he was.

The first time I remember really thinking I would like to write for a living, I was 14. I loved and lived skateboarding, body, mind, and soul. It was something I wanted to always be a part of (14 year old me would like to know that 42 year old me still digs skating, I reckon), but I knew I wasn't good enough to be the next Tony Hawk or even a pro skater. So I thought, I'd like to write for "Thrasher" Magazine. Tell skating stories, dig into the culture and become a voice of skating.

For all the various times I've pictured myself as some sort of writer, and for all the words I've written, I've never wanted to live life at a desk. Writing is the outlet, not life itself. It is how I make sense of my life and the world around me. It is how I try to relate to things. But it is not living. I want to experience, to live an interesting life, to imbibe perspective, and then write. If you read Snyder, he gets that.

I have a friend working on a book right now. She's researching, interviewing, transcribing, compiling, writing. Of all of it, she says the writing is the hardest part. What she looks forward to the least. It is draining. It saps her, and then she needs to go recharge, by doing anything but writing. Running, photography, traveling with her husband, playing with dogs.

I function largely the same way, and I think a lot of writers would say the same. Writing is a release, it is a pouring out. It empties you. And then it is your job to go refill your soul. If you don't, what will you have to write about?

In his book, "The Real Work," Snyder posits that he:

...hold(s) the most archaic values on earth... the fertility of the soil, the magic of animals, the power-vision in solitude, the terrifying initiation and rebirth, the love and ecstasy of the dance, the common work of the tribe.

I need to post that on the refrigerator with artwork and photos of our daughters, so that they can read it every day as well. In Mountains and Rivers, the book started on my birthday 20-ish years before I was born, Snyder scrolls:

'The Fashioner of Things
         has no original intentions
Mountains and rivers
         are spirit, condensed.'

The work Snyder is doing, "the real work," that is the inheritance I want to earn.

Running alone through the dark and back yard happy hours

A packed house is when I feel the most alone. Bar scene, packed house, music blaring, I am pretty well alone. Background noise to the forefront, sound becomes gray, I float on the outside of conversations. I've always felt the outsider.

But that goes back further than bars and crowds. Never fully identifying. Never knowing exactly where I fit in. I remember, high school era, four of us cruising in a car one night and our friend sitting in the back seat next to me looked around the car and said, "Check it out man, we've got a rasta, a skinhead, a longhair, and a... a... a Mike!" And at the time feeling like, well, shit, how come I'm not anything? And then realizing that that may have been the greatest compliment I have ever received. At a time when we were labeling, no label fit.

Among soccer players, I became a skateboarder; among skateboarders, I became a writer; among writers, I became a runner; but was all those things. The thing about it, is all those things, shifts, evolution, I don't know what to call it, happened without thought. It felt more like peeling off some other superfluous part of me to get to what was inside. And when I didn't think about it, it felt good.

But thinking. And man, I am guilty of chronic over-thinking. When I would sit and think about it, the end result was... alone. And Camus is right, if you make too much of defining happiness, you likely won't be happy; if you make the search for the meaning of life everything, chances are you aren't living.

So what does that mean for the outsider, the over-thinker, the stuck in my head? It means happy hour. It means go for a run. It means paddleboarding, skateboarding. It means find your niche, maybe.

Funny things can happen with time. And this came up in conversation recently, where at one point, feeling always a little outside, a bit different, standing within but not a part of the group, sucked, at some point it became the only perspective I wanted. It became what I dug most, that it wasn't any one group. It was maybe a group of one.

And even more odd, when that made sense, comfort in difference, you start to know yourself, and show yourself a bit more, you start running into other folks more and more like you. I think about our group of running friends. On a morning when we would run, I would start out from my house, running through the still dark. Over the next few miles, other folks are doing the same, running alone through the dark. And then we would each come into a familiar glow, the streetlight of the corner where we always met. And there would be four or five of us, together, running through the dark, smiles, conversations, questions, stories, sweat, soles hitting pavement.

And I got thinking about that more clearly the other night, at a back yard happy hour, celebrating/seeing off friends who are moving out of town. And I talked to the elementary art teacher about skateboarding, about Cormac McCarthy's "Blood Meridian," and talking to the brewmaster about Liverpool, and talking to the physician's assistant about malt liquor and Camelbacks, and watching the photographer shotgun a craft beer, and watching all of our kids attempting to pole vault across the yard with bamboo poles, or playing soccer, or climbing on the swingset.

And I looked at the assembled group, the folks and families around me, and thought/felt, yep. That's it. I am not a crowded bar, I am a back yard happy hour.

And this may have nothing or everything to do with all this, but I read it this morning and it is stuck in my head. So now you can have it...

We live by tunneling for we are people buried alive. To me, the tunnels you make will seem strangely aimless, uprooted orchids. But the fragrance is undying. - Anne Carson, "Plainwater."