Observations After Storms and Fire

After the storm, a watercolor washed sky. The colors were created by the storm, they didn't exist beforehand. Back out on the deck, listening to Big Bill Broonzy, a Great Blue Heron flies overhead. Clouds have stretched out lazy. Three deer are fanned across the yard.

Broonzy is singing stories. The sun stalls from dropping with the moon overhead, both wanting to hear about Joe Turner. The setting sun, the overhead moon, Broonzy, and me; we each have a part in this jam session, even if mine is just to be here to document it in some way.

I don't think anyone misses being 13. I watch a daughter trying to figure out whether to stand out or blend in. At that age, no one wants to call attention to themselves. You work hard to have friends while earning widespread anonymity.

That's the age I found skateboarding and punk music. The individualism each espoused hammered a hardcore riff in my soul. Listening to lyrics, imbibing street art, and learning to navigate a streetscape and teach a growing body and 10x30 board on wheels to ollie, railslide, powerslide, gave me something else to focus on.

For all the attitude problems that came during that period, skateboarding and what it meant helped steer me to the person I am still becoming. I have found that anytime I let myself blend in, fall in step, life intervenes, kicks my a** a bit, knocks me down, and says, "nope, that's not you." This past year has proven that all the more.

Gary Snyder is a writer I would dig meeting. He is a poet of rocks, of birds, of myths, of people, of the Earth. He includes and integrates everything into his writing. He also gets the real and symbolic cycle of death and rebirth:

"Lodgepole Pine: the wonderful reproductive power of this species on areas over which its stand has been killed by fire is dependent upon the ability of the closed cones to endure a fire which kills the tree without injuring its seed. After fire, the cones open and shed their seeds on the bared ground and a new growth springs up."

Fire. And after fire, growth. I can find that cycle over and over again looking back at my life. For me, rebirth and growth has often come through running. I find something of myself and the world on the road and trails and I'll have opportunity on both training for the Patapsco Valley 50K in October.

Storms, standing out, individualism, fire, growth, growing up. I'm not sure I ever come up with answers so much as observations. Being a father brings all kinds of stop-me-in-my-tracks observations. Especially cool are the times when I look around and notice a daughter in her element, taking everything in, completely comfortable in her own skin. And I realize that's how they all add up, the storms, the fire cycles, rebirth, trying to figure it all out, being a father--it's those moments when we're learning who we are, and we have those moments of "yep, something like this."

Tasting the Pain, Singing the Blues

I listened to almost nothing but Pink Floyd for an entire summer. Every album. Then I realized why I was so depressed. I was 16. Musically innovative, expansive, deep, but fu**ing depressing. So I stopped listening.

I have never seen "Old Yeller." I have no desire to see it. If you know the dog gets shot in the end and everyone cries their eyes out, why subject yourself to it? Why make yourself sad when you don't have to be? Who does that? There is enough sad in life anyway, without looking for extra.

And that has mostly been my life aesthetic. I want art, music, film. literature, poetry that inspire; that elevates my soul; that makes me wonder; that turns me on and gets me riled up; that makes my heart race; that sends me off to contemplate the Cosmos.

But then I found a different kind of sad. Blue sad. Blues sad. I don't remember when I started listening to Delta Blues music, but it has been a while.

The lone blues man, with his guitar and his loneliness, sometimes without even a guitar; with his suffering, sitting on a porch step or a curb. Hungry. Feet hurt. He knows the kind of sad that has always haunted me.

He wails of our ultimate alone-ness in the world. He cries out about Love's impermanence. He frees his blues soul through his fingers, his tapping foot, his raspy voice. If you don't believe me, listen to Son House.

There is no emotion, no music, more primal than a blues howl. And yet, sometimes when I hear it, it doesn't sound exactly sad. It's cathartic. It can be transformative. Like somehow turning his heartbreak, his alone loose into the Universe, changes it.

But I don't know that. And neither does he. And that's where the blues plumbs the depths and the heights. The blues man sings his song out into the Universe; he wonders if the Universe or anyone else in it hears him at all, or gives a shit.

And then, hearing no reply, hearing nothing back, he knows it doesn't fu**ing matter;

He's going to sing anyway. Because he has to.

The blues man painted houses

 
The blues man painted houses. He painted the one across the street from us, growing up.

I don't remember his name. It might have been John or James. He brought his bass guitar and a small amp with him. He wrote a song with my sister, who was six or seven at the time.

My name is Su-sie, I live across the street from here...

An old school blues bass line thumped along behind her.

A cosmic smile wore his face, black skin and beard.

You might try to argue that he was too happy to be a blues man. His rebuttal was his heart, which seemed to take in the human condition. He felt. He got it.

And he took the time to plug in and help a six-year-old write and play a song. I was 11. And I can hear the song, his fingers walking on the bass, the plaster walls and old windows rattling, my sister's voice, off key, with a hint of what it sounds like now.

I can hear his smile.

The blues man painted houses. He painted the one across the street. And a couple of kids who hung out to hear him.