Stars, Barns, and Wendell Berry

I like simple in my profound. And profound in my simple. My mind gravitates toward the deep end, can get bored in the shallow for too long. But some things I prefer not to think about, but just to imbibe. Take in. And smile.

Sunrises. Sunsets. Hammocks. Barns. Stars. Barns and stars. Put those two things together and I can go on bliss autopilot. And with a shout out to @SpaceAttraction for pulling these few, I appreciate the soul candy.

... And we pray, not for new
earth or heaven, but to be quiet
in heart, and in eye clear.
What we need is here.

I have said before that barns are like churches for me, they frequently stop me in my tracks and make me stare. And I can't count how many times I have walked home at night, or gone out into a field and just stared up. I don't know constellations, I can't calculate light years, the science is lost on me. Happily.

So this morning, let's combine barns and stars with a writer who gets both, and whose writing I would put in the same category: simply profound and profoundly simple. Wendell Berry. His words are in italics.

Accept what comes from silence.
Make the best you can of it.
Of the little words that come

out of the silence, like prayers
prayed back to the one who prays,
make a poem that does not disturb
the silence from which it came.

Interstellar Cosmic Universal Randomness

As random as Bruce Willis in a pink Easter Bunny suit. That's pretty random. Where random is the root word in the phrase, "interstellar, cosmic, universal randomness." And when you frame it that way, it got me to wondering, how random is anything once you go cosmic?

Years ago I walked into the Newscenter in Easton, a book store not known for its poetry selection or for books beyond bestsellers and classics. And on the end cap was a book called "The Shadow of Sirius" by W.S. Merwin. I had heard of Merwin before, but never read him, and had no inclination to pick that book up--it was thin with a pale gray cover, no reason to notice it. But I picked it up, bought it, read it cover to cover. Merwin became a heavy for me. A short stretch later, a former boss/mentor and I went to see Merwin speak/read at the Folger Theater in D.C. In the audience was my former adviser from Washington College, who waited in line with me to go meet Merwin and get books signed. I have not met most of the writers I most look up to. Merwin is one of the few. Looking back, I don't think picking that book up was random.

Both of us understood
what a privilege it was
to be out for a walk
with each other.

I turned in Merwin's thin, gray book to those words yesterday. They wouldn't have meant anything different to me until recently, but they landed right where they were supposed to, cosmically speaking.

Sirius, the Dog Star, is the brightest star visible from any part of the Earth. An interstellar all star. It's easy to spot on winter and spring evenings. And I dig that it is described as "white to blue" in color.

Stars and birds have grabbed my attention a lot lately. Those sky dwellers that leave us at once feeling grounded, but knowing ours is not the only lot, and that we are somehow connected. A view from the back deck, accompanied by books, accompanied by pilsner, conversation, love, watching the birds move about above, or intuiting us moving about beneath the stars. Victor Hugo feels the intermingling of the soul and the stars:

He was there alone with himself, collected, tranquil, adoring, comparing the serenity of his heart with the serenity of the skies, moved in the darkness by the visible splendors of the constellations, and the invisible splendor of God, opening his soul to the thoughts which fall from the Unknown. In such moments, offering up his heart at the hour when the flowers of night inhale their perfume, lighted like a lamp in the center of the starry night, expanding his soul in ecstasy in the midst of the universal radiance of creation, he could not himself perhaps have told what was passing in his own mind; he felt something depart from him, and something descend upon him, mysterious interchanges of the depths of his soul with the depths of the universe.

The intermingling of the soul and the stars. The terrestrial and the heavenly. This universal scale, the cosmic perspective; it is from that balcony that random dissipates, gives way to the underlying pattern.

Merwin's big book of selected poems is titled, "Migration." He is a poet of the birds and the stars. And late in his Sirius book, he turns to the thrush,

O nameless joy of the morning

tumbling upward note by note out of the night
and the hush of the dark valley
and out of whatever has not been there

song unquestioning and unbounded
yes this is the place and the one time
in the whole of before and after
with all memory waking into it

The song of the thrush brings the cosmos from the sky, from the night, into the now, waking with all memory. Timeless to temporal.

Random. Like Bruce Willis in a pink Easter Bunny suit. Chuck Palahniuk says of the Easter Bunny, Santa Claus and the Tooth Fairy, that they, "seem like greater steps toward faith and imagination. Like cognitive training exercises."

Maybe that's how it goes. The Willis Bunny is a step toward faith and imagination. Or maybe, a dude in an Easter Bunny suit isn't random in the connected minds of those who conjured it.

I get why Thales fell in a well

I get why Thales fell in a well. The stars invented the word mesmerize for their own use.

I fling the kitchen trash bag in to the garbage can outside and crane my head back. The Milky Way, Orion's Belt, the dippers, whatever stencil you want to put over the night sky.

Philosophers and poets are kids, still fascinated by stars and clouds; still at home with their backs on the cool grass, their eyes searching, trying to make sense of the sky.

Thales is credited as the first Greek philosopher, before Socrates (pronounced "So-crates," Bill and Ted style), Plato or Aristotle who posterity came to know better. Thales, the story goes, was walking, eyes to the sky, and fell into a well, not paying any mind to where he was going.

You can think Thales a fool (history says otherwise) or you can envy his focus, his commitment to his sense of wonder. Philosophy and poetry both begin in wonder, expanding on Aristotle's notion.

When I take the trash out on a clear night, I get Thales. I'm glad there's not a well near our sidewalk.

"And her marvelous stars expand"

I was floating on a raft with a half-full beer can in my hand. When I leaned my head back the tree branches and leaves mimicked the expanse of the stars. It was like they shared a set of opening wings. Of course, it could have been the beer...

"And her marvelous stars expand."

That's a line from Pablo Neruda. It opens itself up from within, "Residence on Earth," a book/extended meditation/extended poem that he wrote over the course of 20 years (1925-1945). He stopped writing it the year my mom was born.

But the night stars expanded this morning, when I read it, 65-plus years later. And they expanded back to last week, floating in the pool, thinking that same thing, but without giving it words, just awe, and a mental note.

Maybe Neruda is a time traveler, knowing that it might take him 20 years to let go of his poem, but that with it, its utterance, he might travel across decades or centuries.

Maybe it's just a service of the stars, flinging themselves out across the sky each night, like so much sand from a child's plastic shovel,

And by realizing that the stars are so much shovel-flung sand, and giving ourselves that scale in the scheme of things, we see that, smaller than sand, we can stand shoulder to shoulder with Neruda, separated by only a half-century, which is what, really?

Yeah, Neruda is a time traveler. He uses the stars, which he steps on, as they expand. But maybe it's the beer...